Fantastic starting off point.
Do it again standing up.
Sitting down you're too comfortable which adversely affects your performance.
And you
are performing. Just like a monkey - I mean salesman! Salesman!
Think of politician's debating at their podiums. Salesmen.
("No! Politicians are performing monkeys"!)
Listen to some Zig Ziglar.
http://www.youtube.com/results?sear...702l28238l0l29159l2l2l0l0l0l0l150l231l1.1l2l0
You'll benefit from both scripting this thing out, perform it in your place of choice until your mouth has an uncharacteristically dry feel to it, then record it about four or five times.
You're not going to be any better at being an actor than an actor is going to be at being a director/producer -
without the same amount of practice, Practice, PRACTICE! until your delivery of the material sounds honest and sincere.
Watch (and obsess and be overly self conscious!) of those
transient "pleading lines" across your forehead. Watch when they come and go and come again.
Get your material down pat so that those pleading lines go away.
Seduce me!
Make me feel like I WANT to get in bed with the project, so to speak.
Not pity support the project.
@ 0:22 emphasize
FAMILY car... leaving her to drive
HIS hot rod to drive the kids about town.
Personal taste perhaps, but I prefer the cross-fade edits to the fade to black fade in edits.
Are you going to put some sort of graphic up in that big empty space in the screen's upper right quarter?
If not consider placing your left face side juuust at the center line and use a lighter background, maybe even try to record this outside at one of the planned locations for HOT ROD.
(On a thinly overcast day... of course!
)
And if you wanna get really fun with it, if you have reasonable access to the subject hot rod itself consider including it in the scene - but not sitting down in it! Or even on it, like such as sitting/leaning on the hood. Noooo.
Standing up. Touching it. Showcasing it. Making it a character. On location.
GL & GB!
And you have nice hair, BTW.
