Pretty illuminating Roger Ebert article from Newsweek on the contemporary influx of the new 3-D technology, guaranteed to spark discussion here:
http://www.newsweek.com/id/237110
http://www.newsweek.com/id/237110
I think isn't exactly true although I agree with it. I noticed in Avatar (cue ROC) that there were time when an object in the nearer 3D plane was out of focus. It drove me crazy! It was like he was calling attention to the fact that he was forcing me to see what he wanted, and I want to notice that for myself, thankyou.In 3-D the technology itself seems to suggest that the whole depth of field be in sharp focus. I don't believe this is necessary, and it deprives directors of a tool to guide our focus.
Exsqueeze me?!Even Cameron plans to rerelease Titanic in 3-D
One think I dislike about it(and it's a selfish reason) is that the camera's to shoot it are out of my reach, along with all the other indie film makers.
You'd better tell the amateurs publishing their 3D films to YouTube to knock it off, then.
Are they using the new tech. that James Cameron helped develop? The Stereoscopic 3D Camera, because this tech is what I'm saying is out of reach...for me anyways.
Ya, making stuff that is not even close to feature quality 3D, that is my point. It is, as if, with all the recent developments in digital cameras, Hollywood is trying to set another bar to keep indie film makers out. Keep in mind I like the use of 3d from a consumer perspective, it's just the game of cat and mouse from a filmmakers perspective I grow weary of. Makes me just want to stick to my paint brushes as that medium hasn't changed a whole hell of a lot in 30,000 years. Film making is just so damn new, what like over 110years old?That's irrelevant.
People are out there doing what they can, with what they have.
... but they are out there creating 3D content with the best tools they have at their disposal, while you are saying that you can't make anything 'cos you can't afford "real" 3D tools.
I think the opposition to 3d is about as short sighted as was the opposition to sound and color. Sure, it is used in a gimmicky way and it's no where near perfected. It is just another layer of polish that in time will be a standard, just as color and sound has become.
One think I dislike about it(and it's a selfish reason) is that the camera's to shoot it are out of my reach, along with all the other indie film makers.
No, it is a fad. It was a fad in the 1950's, it was a fad when it came back in the 1960' 1970. 1980's, 1990's, and now it's a fad again. There will be bunch of 3D movies, people will get sick of them, it will disappear, and we'll see it again in 10 or 15 years.
The one point he makes about shifting focus,
I think isn't exactly true although I agree with it. I noticed in Avatar (cue ROC) that there were time when an object in the nearer 3D plane was out of focus. It drove me crazy! It was like he was calling attention to the fact that he was forcing me to see what he wanted, and I want to notice that for myself, thankyou.
We are on the cusp of something great here, we're not talking about blue and red lenses anymore, we're talking full colour, bi focal 3D. It's beautiful. Sure it may disappear for a few years until the next big 3D breakthrough occurs but this step is as vital for its future as Jurrassic Park was for CGI.
No, it is a fad. It was a fad in the 1950's, it was a fad when it came back in the 1960' 1970. 1980's, 1990's, and now it's a fad again. There will be bunch of 3D movies, people will get sick of them, it will disappear, and we'll see it again in 10 or 15 years.
All I'm gonna say is "Well said, Mr. Ebert."
I tend to say that a lot though.
Heh.
I've yet to experience anything in 3D that makes the concept essential to any aspect of enjoying a film.