No, it played at the local art theater, but missed it. I should rent it and check it out.
Don't bother, Fincher's is twice the film.
No, it played at the local art theater, but missed it. I should rent it and check it out.
We have Polanski's REPULSION on DVD at the moment and ENTER THE VOID is on the queue.
Ha. Don't get me started on The Tenant! My buddy ripped me a DVD that crapped out halfway through!! And I can't find a copy ANYWHERE. So now I wait to see how it ends. Talk about a cliffhanger!
And that exactly what I was observing with GOaB in this post: http://www.indietalk.com/showthread.php?p=263040#post263040Yeah, I thought I would on the merits of her OLD JOY (which I did see and enjoyed), but dang. Just didn't feel it. Performances were decent, but it just drrrrraaaaagggged for this viewer.
And just for fun & games: Would you rather make
a poorly received $30 million film that made $68 million in the box office, or...
a well received $75 million film that made $119 million?
Thank you, sir.Based on just those numbers alone, the answer is simple. The $75 million film nets $44 million versus the other's $38 million. Whatever gets myself and the studio the most money is always the right answer.
"The World's Greatest Dad"
I enjoyed it a lot. Whodathunk Bobcat-freaking-Goldwait would turn out to be an awesome filmmaker?!
This movie's got some really dark humor, and smart satire, and Robin Williams was terrific in it. Thanks to this movie, I now have to see Goldwait's latest film, "God Bless America".
Solid "B+" in my book.