movies What's the last film you watched? And rate it!

Man of Steel:

I really enjoyed this iteration of Superman and his origin story. Most of the time when I see a movie that includes another iteration of a character's origin story it seems too repetitive and as if it's only put in for those who have no idea at all about the first time a character's origin was explained/shown. The Amazing Spider-man is one of these instances where it wasn't needed to show Peter receiving his spider bite. In my opinion it wasn't necessary. Why? Because it was already done in a movie that came out within the same decade, just earlier, which isn't really that long of a period. In the case of Man of Steel the last time Superman's origin was shown in a Superman film was Superman: The Movie, which was a few decades ago. This is why in my opinion including a retelling of his origin was necessary whereas in the Amazing Spider-man with Peter Parker it wasn't.

I like that General Zod is included as part of Kal-El's origin and that he had a more involved relationship with Jor-El, whereas in Superman: The Movie it wasn't a major plot point. Michael Shannon did an excellent job playing General Zod and what I liked about his performance was that he wasn't trying to emulate what Terence Stamp did with his version of the character. One of the things I thought was really cool was how General Zod introduced himself to humanity via hacking into their visual and radio communications because it felt eerie as well as imposing and threatening.

What this Superman film had a lot of, which is what Superman Returns really needed, is opponents who are level with Superman's abilities to be more of a challenge for him than what Lex Luthor had been in the previous films. There is a vulnerability to Supes that is more than just Kryptonite and his desire to protect humanity. I also liked the camera movement in the fight scenes and it was great to see what was accomplished with the CG, which is really good in this. As we know CG has come a long way since it's very first use and since the horrible looking Scorpion King monster in The Mummy Returns. There are still films that have CG that isn't as good as it can be now but the Man of the Steel is not one of those.

I have read that some people have had issues with the collateral damage Superman does when fighting his Kryptonian enemies. I can see their point but to me there isn't a majority of moments where Superman is the one who creates damage willfully without regard for human life. Most of the time it is a result of him being attacked or in situations where the fighting is so close quarters that he couldn't possibly dodge every single part of the city in the scene while defending himself against his attackers.

Henry Cavill does an excellent job as Clark and Superman. I felt that he was given a really good screenplay to work with and he fits the profile of the Superman character very well. What helped in this is that he's not bound by other actors who have performed the character. No he's not Christopher Reeve but what he is is an actor who has embodied a Superman that is different because of the time period the audience now lives in compared to the 70s and early 80s. Superman Returns intended to re-capture the essence of the Donner films and I think it achieved that but it also was a product of 2006 and a lot has happened since then in the landscape of Superhero movies with the likes of The Dark Knight/Dark Knight Rises etc.

The way in which Superman is treated by humanity at first rings true for the world we currently live in. We would be worried that such a being could destroy us all. But it is also a sad reflection on the fear our society has where we would first think the negative possibility rather than a hopeful one if faced with this situation in reality. I would like to see this explored in more films. The fact that it seems the next film is crammed with other Superhero's part of me is afraid that what was set up in this movie will be overshadowed by the other characters. It could come off as just a desperate move to gain ground against the leaps and bounds Marvel has had over the past decade leading up to The Avengers. It seems too that they feel because they have already had a Green Lantern movie, even if it wasn't received well by some, it still is in recent existence so audiences who weren't familiar with him before would be by now. It also seems they believe because Man of Steel was a success that it means they can shoehorn other DC characters they haven't had any luck with yet, namely Wonder Woman because the success of Man of Steel could somehow shield that character from being unsuccessful. In my opinion including Batman in the Man of Steel sequel isn't an obstacle to what was set up in this film, because screen-time with him and Superman could be balanced quite well but not with Batman, Wonder Woman and Green Lantern included.

Hans Zimmer's score for this film is amazing. The theme composed by John Williams will always be a great and recognizable piece of music. Before Man of Steel went into production when I read that John Williams's Superman theme would not be included in a different form I was a bit disappointed. But fast forward to my viewing of it and I feel that, in line with the tone of this film, the music was done well and was excellent. Hans Zimmer created a wonderful theme for Batman and he has done the same here for Superman.

The director of this, Zack Snyder did a really good job. I have only seen two of his films before this one - 300 and The Watchmen. I enjoyed 300 but in all honesty I couldn't get into The Watchmen when I watched it a few years ago. The Man of Steel is a major improvement over The Watchmen and I think that's a more appropriate film to compare to Man of Steel considering they are both Superhero characters in films directed by the same person.

I give this film 9/10
 
A Woman Is A Woman (Une femme est une femme) directed by Jean-Luc Godard - 10/10
Wow! The first film I watch in 2014 turns out to be a Godard film I actually enjoy rather than admire it intellectually. Anna Karina's performance is very charming and so are the two male leads. The film has very hilarious moments. Here Godard demonstrates that he understands the essence of the musical without having to show obvious musical moments. In this film, perfectly timed dialogue replaces singing and precise rhythmic movements replace dance in order to make a "realistic musical." Michel Legrand's music is great in the film as always. Also the use of color in this film is excellent. I love how this film is experimental and intellectual but it is still appealing with its humor, I look forward to watching more Godard films this year!
 
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The Fearless Hyena directed by Jackie Chan & Kenneth Tsang - 10/10
This is one of Jackie's kung-fu masterpieces! I love how this film is just entertaining from beginning to end without any dull moments. Even eating a meal in this film turns into a great kung-fu choreography sequence. The story is really simple, and a lot of it is left unexplained but that's not what I want from this kind of movie. This film simply delivers with Jackie's unique blend of Keaton-esque comedy and kung-fu without missing a beat.
 
The Frozen Ground - 4/10
Meh...
What was that other film review that called it's execution "workmanship-like"?
Yeah, that's about right.
The story kinda cuts in toooo late and out toooo fast.
I see why it made little money at the theater.


Passion (2012) - 3/10
Brian De Palma's freaky retro-shot compositions completely ruined this cliché girl-fight story.
Total miscast of McAdams and Rapace. Sigh.
This also lost big bucks theatrically against production. http://www.boxofficemojo.com/movies/?page=weekend&id=passion.htm



Man of Steel - 8/10
Not too bad; worth watching at least once.
Mostly, it was nice to see Zack Snyder NOT make another sucky film.
I remained annoyed at the docucam look throughout the entire film.
The story was fine, although it seemed rather small.
Loved all the reinterpretation of material. Very, very nice.
 
The Wolverine 3/5
This was okay, nothing really special but i was entertained and felt some very tense moments. Man did they like their tilt shift in this one. and every wolverine movie seems dead set on violating the rules of adamantium. A really great fight scene on top of the super train.. but unfortunately a really obvious 'twist' ending with the robot looking thing. saw that coming from a mile away

i also didn't like the fact that they take away his powers for most of the movie. i went into this to watch wolverine not a jason bourne with crappy plans like 'run straight up this street, and under no circumstances take cover" .. even if i keep getting shot, don't take cover, don't try to fight back just keep getting shot.. riiiight. also what was the deal when he runs up to the car kidnapping the girl, then grabs a guy and throws him lol. easily could have slashed out the tires instead of being an idiot and trying to drag some no-name thug out of the backseat.. who cares about the dude in the back seat, seriously, just slash the rear tire. it's exposed and you have claws dumbass

SLASH THE TIRES!!
https://www.youtube.com/watch?v=2T3Yz_lbqmM

technically speaking the prologue before the credits had a really bad shift of the focal length as they rack back and forth between wolverine and magneto. i was surprised to see such a technical blunder in a movie of this budget

https://www.youtube.com/watch?v=wx5VP_L2hlc
 
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The Wolverine
10/10

What a refreshing entry into the X-Men franchise. X-Men Origins: Wolverine had many flaws which stopped it from being a great film. It's function as a prequel created a difficulty in continuity to the other films, an issue which haunts this franchise - will it be fixed with X-Men: Days of Future Past? Time will tell. But setting The Wolverine after the events of X-Men: The Last Stand is a solution that avoids continuity problems and it also allows for one of the main reasons as to why I enjoyed this film so much - The Wolverine allows the character to go on their own journey separate from the other X-Men characters.

I like that in this film Logan is a tortured character who isn't concerned any more about his past in terms of his origin. He is, by being called a Ronin, meaning Samurai without a Master, shown to be a wandering soul carrying an emotional weight on his shoulders, leaderless and alone, and haunted by the death of the woman he loved, Jean Grey, who died by his own hands. If the Jean Grey as Phoenix story was solely focused on in X-Men: The Last Stand then watching that film before seeing this one would have created a stronger emotional bridge between the two movies. But having said that, it doesn't mean that The Wolverine suffers from that lack of focus - X-Men: The Last Stand suffers from it and it could have been a better film than it was. The Wolverine more than makes up for that though.

There are some who bemoan the focus that the X-Men films have had with fixating on Wolverine as the main character and catalyst for the events of the previous movies or him being given the most story attention. I can understand why but I don't agree with it and that's just my opinion but what The Wolverine accomplishes, in contrast to Logan's presence in the previous films, is to use the themes within this movie to make him a more interesting and developed character, which in turns gives Hugh Jackman the opportunity as an actor to amplify character traits Logan has and have him in a completely different setting than we've seen him in before. It gives the character more chance to breathe and since he doesn't have any of the other X-Men characters around him there aren't a multitude of characters that distract from Logan's journey in this film. This ties into another factor that sets this film apart from the others in the franchise and is another one of this film's strengths - there are only a few mutants in this, which is what should have been done with X-Men Origins: Wolverine.

The abilities the mutants in this film have are not over the top extravagant special effect explosions to dazzle and amaze you. The mutants in this film have understated mutant abilities and in a franchise about mutants this may seem to fly in the face of what some may come to expect from an X-Men film (although The Wolverine isn't necessarily an X-Men film at it's core) I believe it to be a breath of fresh air to be honest. This film isn't bogged down with insignificant cameos by other mutants who only get one minute of screen time in the entire film. The story and characters in this benefit greatly from a more concentrated focus, something which needs to be addressed and maintained in future installments.

The story told in The Wolverine puts the character into a vulnerable position he has never experienced before. It makes him face his own mortality and the prospect that he may die without his healing ability, something which has been both a blessing and a curse for him. But what is great about this story is that because he has lived so long and all he has loved is gone or deserted him, he is in a position at the beginning where he would like to be free of his healing ability and the ironic thing is that once he is given that opportunity, when he is faced with the option, he doesn't accept. This is another indication of how conflicted Logan is about his existence. But even though he doesn't accept the offer it is forced upon him whether he likes it or not.

There are so many great moments in this movie and there are many great fight sequences. The main scene I want to comment on though is when Logan is noticing that his healing ability is diminishing. It makes the audience start to think about whether or not Logan is going to be able to survive for long. When you make an audience start to wonder about a character's mortality it creates great dramatic tension and The Wolverine is a film that succeeds in part because of this connection between the audience and the story.

The Wolverine is the best showcase of the character made so far.
 
Pacific Rim 2/5
It took me 3 different sittings to finally finish this movie. There was only one shot I really liked.. that's where the little girl in her memory walks behind a boulder, camera dollys left, and when the boulder exits the view she is suddenly 40 ft further away. that was really cool.

I know this movie had a really silly premise to begin with.. why are they fighting with robots by hand when there are bunker buster missiles, etc. how are people melding brains, totally analog without any computers? why do they meld brains but still need hydraulics attached to their legs and arms ? I was willing to forgive all of that, because it was obvious that things would be this way going in. even having said that though, i just thought this was kind of boring. I've always found cgi stuff fighting each other to be really boring, i didn't like the transformers for that reason either.

my gf hated this too.. thats why i hard to stop it in the first viewing, she couldn't take more than 10 minutes lol.
 
Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) directed by Woody Allen - 7/10
Not quite as good as Take The Money And Run or Bananas but it still has its funny moments. Like many anthology films it is very uneven with some really awkward segments, but the best moments are just classic. My favorite shorts are the last three segments and the Antonioni parody. Unfortunately the worst two segments are right at the beginning so I was tempted to turn it off, fortunately I stayed for the rest of the film. I recommend it only to people who are already Woody Allen fans.
 
technically speaking the prologue before the credits had a really bad shift of the focal length as they rack back and forth between wolverine and magneto. i was surprised to see such a technical blunder in a movie of this budget

https://www.youtube.com/watch?v=wx5VP_L2hlc

This is lens breathing when changing focus. All lenses have it,some more,some less. I am not sure but it looks like anamorphic as they have that feature more often than spherical ones. Hate it too,prefer when they hide focus rack with motion or foreground element.

As for the film,I watched as a time killer,so it did it's job. Watch and forget film for me, the ending was stretching the suspension of disbelief to the max,but I guess given it is set in Japan it is fine
 
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This is lens breathing when changing focus. All lenses have it,some more,some less. I am not sure but it looks like anamorphic as they have that feature more often than spherical ones. Hate it too,prefer when they hide focus rack with motion or foreground element

i had heard someone mention this effect once, but i didn't recall the name of the effect as lens breathing. Thanks for the information on that. And yeah.. I've never seen it look quite so bizarrely obvious as it was in that shot. I feel like they tacked it on at the end of production, possibly even after filming had already ended. or maybe they only had one day with magneto and simply couldn't reshoot
 
I first notice it watching "Lone ranger" on a huge screen and there was a super wide shot of the dessert landscapes with some figures in the foreground. They did a focus pull and I thought my eyes were popping out.

I am not sure if reshoot could help unless they do some cutaways or w.e? Maybe some people like it,same way as horizontal streak flares?
 
Wolf of Wall Street 8.5

A relentless ride through the mind of one hell of a charming sociopath with massive appetites for everything except humanity. Scorcese feels very engaged in this one. It was actually much funnier than I thought it was going to be.

People can say what they like about DiCaprio, but he gives it his all and more in this film.

However, it has much excess and could definitely have used some trimming. There are some obviously improv'd scenes that go on waaaaaaaay to long.
 
American Hustle 9/10

One of the best films of the year. It captures the essence of the films of Scorsese, but stays it's own film. The performances are spot on, almost perfect in fact. I'm normally not a fan of Jeremy Renner, but I must admit, he nailed it. The other actors were so convincing, I thought I was watching real people. Louis CK, Robert De Niro, and Lawrence were near if not completely perfect. The writing was fantastic as well. The combination of great writing, direction, and acting lead to many scenes being incredibly uncomfortable and unnerving. I was sweating, looking away nervously, and was on the verge of yelling at the characters on the screen. The pacing and structure of the film is spot on as well. Remember Casino and Goodfellas? From what I remember, they started with a major event in the movie and cleverly summarizes everything that happened up to that point, which was my favorite part of Goodfellas and Casino. The film spends a large portion of it's time leading up to the moment, then continuing the story. The puzzle is put together piece by piece by piece. The first half of the film is near perfect, and the film drags a bit and enters overly-sentimental territory, but for the most part keeps it's charm. Not to mention, the combination of biting wit and beautiful romantic moments make for an incredibly dynamic and unforgettable experience. You think you know what is going to happen, but the film throws you in another direction. Instead of throwing a curveball, the film drives a monster truck into the stadium and wrecks everything! The rich and vibrant colors, matched with themes of corruption and love make for an almost surreal experience. Also, fantastic sound design and overall audio work. The voices are crisp and the environment feels so real. I'm beginning to appreciate sound a lot more. Although I owe most of it to Gravity, I must admit the beautifully done audio really contributes to the film. Another thing that really elevates the film is it's editing. I love the montages and sudden moments of sadness and the hints at the underlying sadness of the situation. The retro-themed soundtrack really brings the production to life. I also think that wardrobe and set design played a huge part in the effectiveness of the film. Many films that try to portray later or future decades is because they go way over the top in terms of costumes and set. What really made it so effective was it's subtly in the handling of the decade's style. It's never over the top or absurd. It's realistic. They're not trying to scream a time period, they create such as interesting environment they don't have to blatantly point it out. It's overall a great experience with it's only problem upon first viewing being it's occasional slow pacing. Film is an illusion, as I've learned from the great people of IndieTalk here. This movie so cleverly combines all it's elements that kept me so connected to the film. Like Gravity, the time flew by. I'm making a new connection or a new love of film, and this is another step in the process. My appreciation for film is increasing.
 
Why did I not see How To Train Your Dragon before now? Damn, I loved it! If the main character had spent a little less time being all "hipster/ironic/detachment" guy, I would have liked it even more. Still, great movie, adorable dragons, solid voice acting and plot.

Also caught Wreck-It Ralph, which plays directly to retrogamers, so I loved it. My favorite Disney film in years. I mean, they made a Sheng Long reference! How awesome is that!
 
We own the night 4/5
Lots of bad netflix reviews on this one, and an estimated guess for me of 2 1/2 stars, but I ended up really liking it. I feel like it's been a while since I gave out a 4/5 rating. Never seen a film by james gray before but apparently this guy loves to work with phoenix and wahlberg.

Some great stunts, especially that jump out the window. And an intense car chase, no annoying unrealistic gun stuff which is always very welcome. Suspense is lacking in the last 25 minutes which is unfortunate so maybe this 2 hour movie should have been cut down in size.

so this guy is a writer / director and spent like 6-7 years trying to get the film made.
 
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American Horror Story Season 2. A. Mostly. Over the top fun. I like this idea of changing settings and story lines, but using (some) of the same actors from season to season. Eager to see next season.

Man of Steel. It's okay. I suppose they're trying to give the audience what it apparently wants, after it by and large rejected Superman Returns. But Superman Returns is the better film.
I understand why they have Superman coughing in their film. It probably sounded okay on paper. But is it just me, or was there something silly about Superman coughing, particularly when he's fighting that terra forming thing? It was kind of one of those unintended funny things for me. It made me laugh, but not with what was intended, I think. Or, are they having a go with us?
Another thing I noticed, or felt, was that despite the latest CGI, flying just didn't seem much like flying in this one. The joy, the magic of it that previous films have had seem to be lacking here.

World War Z. Fairly good. Maybe a B.

Congo. Really, not too bad of a monster movie. Damn, Stan Winston and crew did amazing work. RIP. I guess nowadays those gorillas would be motion capture CGI. Well, they have gotten very good with that.
 
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"The Fountain" by Darren Aronofsky

Liked the visuals and acting, but still can not make up my mind if I like the film as a whole or not.
 
Anchorman 2....and I'll give it a 9 (9 and a half). My kind of humor and better than the first one I think...which rarely can be said about sequels. Go see it!
 
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