And now for something completely different!
I thought as filmmakers, you would appreciate the wonderful story behind the existence of this piece of music, which is anyway a fantastic example of the genre.
Miserere was written in the 1630's by Gregorio Allegri as part of a religious service to be performed in the Sistine Chapel. Upon hearing it, the pope at the time felt that Miserere was so beautiful and sad that it might cause distress to the average listener. He issued an edict stating that writing down or performing Miserere elsewhere was punishable by excommunication (the most severe punishment a pope could order). For over a century Miserere was therefore only performed once a year in the Sistine Chapel, to members of the clergy and a few invited dignitaries. Of course, rumour spread of this prohibited piece of music, said to be so beautiful and sad that it might kill an ordinary person. Over the course of more than 100 years, the secrecy and mystery surrounding Miserere raised the piece to truly mythical status. Then, in the late 1700s, a fourteen year old boy managed to sneak in and hear a performance. Returning to the apartments where he was holidaying with his father, he wrote down the whole 14 minute piece entirely from memory. The Vatican learned of this breaking of the papal edict from an interview the boy gave to a British historian and summoned the boy to Rome. However, instead of excommunicating the boy, the pope praised him for his feat of musical genius and eventually lifted the ban on Miserere. In case you're wondering, the boy's name was Wolfgang Amadeus Mozart!
For those interested, this piece is a great example of renaissance Antiphony and Polyphony. Antiphonal because it uses two small choirs located in different parts of the church. Therefore on the recording one of the choirs deliberately sounds a little more distant than the other.
If you can't be bothered to listen to the whole thing, at least listen to the first 2:20.
https://www.youtube.com/watch?v=36Y_ztEW1NE