I know I asked this question before, but I only got into it briefly. If I wanna discuss it with a bit more detail I'd make some examples of stealing ones works or plagiarism :
Let's say You've written a script. Now you intend to give it to an editor ( who you don't personally know ), and lets say this editor happens to be a writer too. If this editor gets any ideas and decides to write his/her own story based on some of your screenplay's concepts, how can you prevent him/her from doing that? mlesemann once mentioned NDA, but she and directorik both said if somebody wants to steal your story NDA can't really stop them from doing that. Also I intend to submit my script to WGA. But again as I understand it WGA is something that provides evidence to the DATE of a certain work submitted and it doesn't really get into the concepts or stories or characters of your screenplay. So I'm not sure if you decide to sue somebody WGA would offer solid paperworks and evidences concerning your works' concepts,... .
Another example would be being able to pitch your script to a producer ( That day would be a good day btw), Lets say a certain producer didn't like your work. but he liked some of the few concepts of your screenplay. and instead of asking you to rewrite it, he would go on and pitch your concept to another reputable writer he knows to write it for him ( I don't know if this is something producers would do btw ), How can you stop them from doing that?
oh and one more thing, lets say that WGA provides all the necessary protections, each time you rewrite your story or edit it for a new draft you should again submit your script to WGA if you want to show it to someone? example would be you've already submitted say the 3rd draft of your script to WGA, a producer reads it and asks you to rewrite it . Do you need to submit the new rewritten script to WGA again? If this is the case it seems pretty expensive.
Let's say You've written a script. Now you intend to give it to an editor ( who you don't personally know ), and lets say this editor happens to be a writer too. If this editor gets any ideas and decides to write his/her own story based on some of your screenplay's concepts, how can you prevent him/her from doing that? mlesemann once mentioned NDA, but she and directorik both said if somebody wants to steal your story NDA can't really stop them from doing that. Also I intend to submit my script to WGA. But again as I understand it WGA is something that provides evidence to the DATE of a certain work submitted and it doesn't really get into the concepts or stories or characters of your screenplay. So I'm not sure if you decide to sue somebody WGA would offer solid paperworks and evidences concerning your works' concepts,... .
Another example would be being able to pitch your script to a producer ( That day would be a good day btw), Lets say a certain producer didn't like your work. but he liked some of the few concepts of your screenplay. and instead of asking you to rewrite it, he would go on and pitch your concept to another reputable writer he knows to write it for him ( I don't know if this is something producers would do btw ), How can you stop them from doing that?
oh and one more thing, lets say that WGA provides all the necessary protections, each time you rewrite your story or edit it for a new draft you should again submit your script to WGA if you want to show it to someone? example would be you've already submitted say the 3rd draft of your script to WGA, a producer reads it and asks you to rewrite it . Do you need to submit the new rewritten script to WGA again? If this is the case it seems pretty expensive.
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no it's not me.
since last year I registered it to WGA. Reading further I realized it's not as dour. That's not a problem. I will register it with US copyright office this year. The only reason I didn't go with US copyright last year was that It takes about 8 months for a script to be registered. But this year I realized the date of your online registration is enough evidence to cover you if you wanna proceed with your script in anyway. 
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( don't know if that's required for a lawsuit though). But again, I'm learning (slowly, but surely) to stop treating my works as gold . For now the real challenge is to generate interest and win some competitions.