blog Leap

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Backstory:
I've completed three independent feature films, plus countless shorts and adverts. My first feature was a no budget slasher I shot in 2007 for a budget of $600 called "Wulf". It played a few festivals and then I buried it, considering it my trunk novel. In 2009, I turned my back on horror and decided to be the Christian I considered myself to be. I still wanted to make movies and had an idea to combine parkour and the last days into a movie that was ultimately called "Leap".
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I shot it in 2009 on MiniDV (a Canon ZR800) for a budget of $200. I spent three months teaching my actors parkour and they did most of their own stunts. It screened at a local theater and we sold 200 DVDs. Let's be honest though- it's bad. My heart was in the right place, wanting to share what I was finding in my own personal Bible studies with the rest of the world, but it was poorly executed.
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In 2010, I made the sequel, "Leap: Rise of the Beast". It was the first feature film shot on a Canon Rebel T2i and we only had the kit lens. The budget was $2000 and continued the story I began in the first film: a group of college kids trying to save the world while the Vatican hunts them down. My goal was to make a Christian version of the Bourne series. We had a theatrical screening for it, sold 100 DVDs and then I stuck it on YouTube in 2012 and it now has over 1.5 million views and has made over $10,000 over the past ten years. Most of that money has gone toward purchasing better equipment because hey, tax write-offs :)
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Immediately after Leap 2 came out, I wanted to do something different before finishing the story. So I wrote a supernatural Christian thriller but everyone kept begging me to do Leap 3 next instead. I caved and wrote the script called "Leap: Revelation". It picked up in the middle of Leap 2, followed a new parkour crew and took us to the end of the world. The only thing stopping me from shooting it was the financing. I figured that I'd need $20,000 to do the movie on a "low-budget" while paying for actors and a few key crew members. Unfortunately I never raised the funds.

The past ten years saw me being homeless, getting a dream job as a VFX supervisor, losing everything I owned (including my dog) in a house fire, rebuilding my life, getting a wife, a new dog, and moving back to Montana. Now I run my own production studio called Pyro Studios and I feel like I'm at a point where I want to revisit this material again. I've grown a lot as a person and as a filmmaker and finally feel like now is the time. I've been keeping a production journal on my computer and I'll be sharing that here.

I hope it is useful and I welcome you all along this journey.

-Chris

Ten Years Difference
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Some pics
 

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Awesome news: Indie Rights has accepted the film! I'm really excited to be working with them and learn about this new part of the filmmaking process since I've only self-distributed with DVDs and YouTube in the past.

I've looked through the list of deliverables and the only part I'm not sure about is the Music Cue Sheet. For the score I wrote, that's easy, but I also prompted a few tracks through the paid version of Suno. That gives me commercial rights, but the songs have no copyright, so I'm not sure how to handle that.

Karissa and I went to see The Amateur last night. It was fun.
 
I'm starting to get a little worried. I got the email from Indie Rights on Monday morning that they wanted to work with me. I sent them my legal name and email for the Docusign contract as they requested, but I haven't heard anything back. I did send another email today just asking if they needed anything else from me, so I guess we'll see how this plays out.

I watch a few interviews with Linda, one of the owners of the company, and she raved about how quick they get the contracts out.
 
Got all the deliverables onto my hard drive to send to Indie Rights, minus the captions. I went to go place the order for those with Rev.com and saw they have an option to make captions from a video link, rather than uploading a file (which is what I had to do the last time around I used them). I sent them the unlisted link to my screen copy I uploaded to YouTube when I applied to IR and they accepted. Nice! My wallet is now $170 lighter, but at least I know the formatting and all that will be correct.

I'm going with the human captions, not AI. If I wanted to use AI, I could have done that myself in Resolve. When I get the files back, I'll still drop them in Resolve to double check spelling and all that, but we should be good. Then I just have to send in the drive to Indie Rights and nervously wait.
 
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