blog Leap

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Backstory:
I've completed three independent feature films, plus countless shorts and adverts. My first feature was a no budget slasher I shot in 2007 for a budget of $600 called "Wulf". It played a few festivals and then I buried it, considering it my trunk novel. In 2009, I turned my back on horror and decided to be the Christian I considered myself to be. I still wanted to make movies and had an idea to combine parkour and the last days into a movie that was ultimately called "Leap".
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I shot it in 2009 on MiniDV (a Canon ZR800) for a budget of $200. I spent three months teaching my actors parkour and they did most of their own stunts. It screened at a local theater and we sold 200 DVDs. Let's be honest though- it's bad. My heart was in the right place, wanting to share what I was finding in my own personal Bible studies with the rest of the world, but it was poorly executed.
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In 2010, I made the sequel, "Leap: Rise of the Beast". It was the first feature film shot on a Canon Rebel T2i and we only had the kit lens. The budget was $2000 and continued the story I began in the first film: a group of college kids trying to save the world while the Vatican hunts them down. My goal was to make a Christian version of the Bourne series. We had a theatrical screening for it, sold 100 DVDs and then I stuck it on YouTube in 2012 and it now has over 1.5 million views and has made over $10,000 over the past ten years. Most of that money has gone toward purchasing better equipment because hey, tax write-offs :)
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Immediately after Leap 2 came out, I wanted to do something different before finishing the story. So I wrote a supernatural Christian thriller but everyone kept begging me to do Leap 3 next instead. I caved and wrote the script called "Leap: Revelation". It picked up in the middle of Leap 2, followed a new parkour crew and took us to the end of the world. The only thing stopping me from shooting it was the financing. I figured that I'd need $20,000 to do the movie on a "low-budget" while paying for actors and a few key crew members. Unfortunately I never raised the funds.

The past ten years saw me being homeless, getting a dream job as a VFX supervisor, losing everything I owned (including my dog) in a house fire, rebuilding my life, getting a wife, a new dog, and moving back to Montana. Now I run my own production studio called Pyro Studios and I feel like I'm at a point where I want to revisit this material again. I've grown a lot as a person and as a filmmaker and finally feel like now is the time. I've been keeping a production journal on my computer and I'll be sharing that here.

I hope it is useful and I welcome you all along this journey.

-Chris

Ten Years Difference
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I like it a lot.

A couple of tiny notes:
I think you can cut the girl running in the opening sequence a bit sooner ( a second or 2) and go faster to her helping him up. I like her pushing her hair back :) I don't know that you have to include him yelling her name - maybe just go straight to "the girl we talked about last night.

I think you can cut the second scene of the mom praying at 1:19.

There's nothing wrong with any of those small bits - I just love to keep trailers as tight as possible and if they won't be missed, trim them.

I LOVE the bird :)
 
Here's a screener for said trailer. If you can't view it, I've already taken it down. Still needs some tweaks, but does it capture your interest? If not, how could it?


I feel like it maybe gives away a bit too much, but I also think that since this is a movie with zero known actors or crew, it kind of needs to give a little more away.

The J-Cut "I actually ran into an old friend" really threw me off, probably bc it was the same character, talking about the same situation I was looking at, it made me feel like the dialogue should match up, but it didn't, then I see the next frame and I'm oh it's a J-Cut, but the whole time I'm thinking about all of this instead of watching.

tldr I think you should reconsider that J-Cut

"You know what we should do..." is a serious change in tone, much darker, I think the music should reflect that.

As for giving away a bit too much...
I assume you're refering to the line 'The vatican is the beast' .. and yeah that is something that could just as easily rub people the wrong way as it could entice them to watch. If you're questioning that line I'd say trust your instinct and cut it.
 
The J-Cut "I actually ran into an old friend" really threw me off, probably bc it was the same character, talking about the same situation I was looking at, it made me feel like the dialogue should match up, but it didn't, then I see the next frame and I'm oh it's a J-Cut, but the whole time I'm thinking about all of this instead of watching.

tldr I think you should reconsider that J-Cut

"You know what we should do..." is a serious change in tone, much darker, I think the music should reflect that.

As for giving away a bit too much...
I assume you're refering to the line 'The vatican is the beast' .. and yeah that is something that could just as easily rub people the wrong way as it could entice them to watch. If you're questioning that line I'd say trust your instinct and cut it.
I kind of agree with you about the J cut, I'll clean that up.

The giving away too much for me is the father talking about killing his son, but I like the darkness it brings to this.
 
I like it a lot.

A couple of tiny notes:
I think you can cut the girl running in the opening sequence a bit sooner ( a second or 2) and go faster to her helping him up. I like her pushing her hair back :) I don't know that you have to include him yelling her name - maybe just go straight to "the girl we talked about last night.

I think you can cut the second scene of the mom praying at 1:19.

There's nothing wrong with any of those small bits - I just love to keep trailers as tight as possible and if they won't be missed, trim them.

I LOVE the bird :)
I agree, a tighter trailer is better. I'll definitely look at the beginning making that work better. The second scene of Mom might just be a coin toss. I like the tone it adds, but I do see how it could feel redundant
 
Okay, here's the final, public version. Thank you both for the insight! I didn't use all the suggestions, but a few were really good and made this better! I decided to release it today since the Super Bowl is happening and all the other commercials and trailers hit and hope that could maybe get swept into the mix.

 
I've finally set a date: April 13th! I found a theater that doesn't charge an arm and a leg for the premiere and I plan to release it on Amazon at the same time. I'm currently working on some promotional pieces that I'll send out at the 2 week mark, 1 week, day before and day of.
 
Should be a fun night tonight. Got most of the cast coming over to record a commentary for the movie. My plan is to offer it as an incentive to those who purchase the film on Amazon. My wife is picking up pizza and drinks from Costco, so it should be a good time.

I have an appointment Thursday to go check out the theater.
 
Checked out the theater today and it's pretty nice. It's a performing arts center, so designed for stage work, but they have an HD projector and 10x20 foot screen. The price is right and the manager was super chill, so I booked it after testing my trailer. They're able to play straight from a ProRes file, so I don't even have to go the hassle of making a DCP.

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Bummer news: I heard a year ago that Amazon was going to stop accepting new movies from people that didn't have a Prime Video Direct account already so I signed up. That was a year ago. On Sunday, I went in and updated all the information for the movie and did all the artwork and even uploaded the trailer. I knew I'd have the mezzanine file later this week. Monday morning, I get an email from them that my account has been terminated due to inactivity (since the movie hadn't been uploaded and submitted for review). So I basically missed getting grandfathered in by a week. Now I'll have to go through a middleman like Filmhub or Indie Rights.
 
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