A combination of Watership Down and The Animals of Farthing Wood. I went straight out and started filimg moor hens and bunny wabbits in the garden.
Wow, that was poignant. I really feel shallow now.
Now answer the question: which movie made you decide to become a filmmaker?
Ayisha replied to everyone but me.
HAAAA HA....I still love you
SLACKER by Richard Linklater, CLERKS by Kevin Smith, EL MARIACHI by Robert Rodriguez, and IN THE COMPANY OF MEN by Neil Labute.
Hey, there's nothing wrong with liking the old classics, I remember watching those Frankenstein movies, my parents would put them on for us and I liked them too, I would still watch them and think that they are better than some of the 'horror' films they come out with now so far as entertainment enjoyment is concerned. I don't know, maybe I'm old fashioned or something but, I think those movies still have the power to inspire people in the future because it was about bringing your ideas to life and sharing them with others.It as a B-movie called Dracula Vs. Frankenstein.
It was so hokey it seemed doable, even though I liked Frankenstein Vs. The Wolfman and still do. And, it has better production values.
It wasn't long after I wrote a fan screenplay, just for the heck of it called, Tom Swift Vs. Dracula. If anyone remembers the old Tom Swift science wiz kid children's novel book series, that is the Tom Swift. To me, it's about what if's with my own twist.
There was a photo I saw of George Lucas standing next to a storm trooper on Tatooine for A New Hope that made me ask the same questions as Directorik.
"What is a guy from the 70s doing standing next to a storm trooper?!?!"
Never looked back, since.
For me it was a combination weird out that took a long time to happen.
It all started with a lower budget film that I wandered on to the location of as a kid called My Bodyguard (Actually THEY wandered onto MY set, as when I found the filming, it was shooting in a junk lot where I used to play everyday.)
The whole thing struck me like my version of playing “cops and robbers” or something (playing pretend), but with a carnival atmosphere built around it. I was like “Holy smokes, these MFers know how to have a good time!”
When I saw the film in the theater a few years later or so, the way they managed to capture the very essence of the only places I had ever known blew me away again (It still does), and it stayed with me always at the back of my mind, but even with that experience I never connected or crossed paths with the practical craft of making film… it just wasn’t something people in my sphere of knowing did, but the ghost of those days finally intersected with me one day over 20 years later.
I was in the library and happened to open a book that someone before me left on the table where I was sitting. What I saw in it was shocking and almost made me dizzy.
It was a book that had script pages in it!
When I saw the format it was in, it was like… not so much someone reading my mind, but like someone else knew (And also used) the way I had for years and years thought and imagined and considered things in like formatted mental pictures! It totally blew my mind!
Eventually (Years later!) I realized that during those days on the filming locations (and in the trailers and other nearby and not so near by locations that I had just made myself a part of as a child), a young and very kind new playmate (Actress Joan Cussack) had showed me their script, and it just stuck wayyyy deep in the back of my mind as something I didn’t at the time understand for the life of me, but that I knew was somehow at the heart of all that fun and happiness and free food and commotion, and love.
So My Bodyguard is the film that got me into it, it just took like 25 years or somthing to do so.
-Thanks-
Everyone?Ayisha replied to everyone but me.
I apologize, that wasn't my intention.
It's just a common turn-of-phrase that "Great-story driven narratives" no longer exist. Of course it's subjective, oppinions will differ. Yet, i assume this is echoed decade after decade. However, we're able to say that there have never been so many films, so many opportunities for people to make movies.
Aslong as there's a voice, there'll be a story. It's whether or not you believe it to be great or not.
Personally, i wasn't soley inspired by a "Movie-moments" per se. I found solice in the getaway of the theatre. But there's no solitary moment in my life i could pin-point, or infact recognize.
I'm in love with creation, that's all i know.
I’m gonna show my age here:
Mary Poppins was the first film I saw that made me wonder how.
Until then I only watched movies like the rest of the people. But
that film made me ask my dad the “how” question which lead to the
“You mean people do that?” question.
The next one was “Jason and the Argonauts”. Armed with the new
understanding that people made films happen that film made me
wonder how I could do it.
I don't know what ya'll are talking about. I see great movies being made every year. Art flourishes in all times, under all conditions. Sure, there's a lot of junk out there, but there's a lot of greatness, too. Do you think crappy movies didn't exist in the 70's, 50's, 40's, etc?
SLACKER by Richard Linklater, CLERKS by Kevin Smith, EL MARIACHI by Robert Rodriguez, and IN THE COMPANY OF MEN by Neil Labute.
A combination of Watership Down and The Animals of Farthing Wood. I went straight out and started filimg moor hens and bunny wabbits in the garden.
Back then our film fare was being watered down with junk.It's true, there were always crappy movies, but back then they didn't get marketed as well or as widely. Now a days it seems like our film fare is being watered down by the junk.
Well played, Sir.
Mine is Fight Club and Cleopatra...the old one with Elizabath Taylor and richard burton.