I've always been a big fan of John truby's teachings but recently I went to his web site and gave a read to some of his movie breakdowns. The stuff I read shocked me! He stomps on movies that are overaly considered masterpieces like "Departed", " Beautiful mind" , "Prestige" ... and he stomps on many of my personal favorites too, like "Scott pilgrim vs the world" , " Dazed and confused" , "Everybody wants some",... .
The fact that he stomped on my favorites didn't bother me. what bothered me was that he clearly didn't understand these movies story-wise! and that's weird, cause you see in many cases he is on point about why a certain movie or tv show has been so successful. If anyone has the time to read his analysis of movies, check his website and you will see what I mean. I think the problem comes from the fact that this guy has focused all his man power into deconstructing a story that he's psyched himself out , therefore he misses so many obvious great stuffs and potentials of a movie. I get that americans want a great story more than anything (at least from Truby's point of view), but in all fairness that's not what movies are all about. If all people wanted was a great story they wouldn't have bothered with movies, they'd just read novels.
That's why I've always had a problem trusting teachers like him wholeheartedly. You can follow all their organized neatly crafted techniques and you can still end up having a crap script. Cause let's be honest, if people like him have realized everything there is about a good story, why aren't they themselves coming up with blockbuster movies? The answer is obvious, Creativity and criticism are two completely different things. They aren't even in the same ball park. and creativity is obviously harder than criticism. A creative person is usually a good judge of a good movie, but a good judge of a movie isn't necessarily a creative one.
Bottom line I think the best leads an aspiring creator in any field can have are first his own personal experiences and conceptions, and second the successful creative ones in that particular field, and not the critics or teachers ( unless that teacher had a great artistic track record himself).
I'd like to hear what others think about this.
The fact that he stomped on my favorites didn't bother me. what bothered me was that he clearly didn't understand these movies story-wise! and that's weird, cause you see in many cases he is on point about why a certain movie or tv show has been so successful. If anyone has the time to read his analysis of movies, check his website and you will see what I mean. I think the problem comes from the fact that this guy has focused all his man power into deconstructing a story that he's psyched himself out , therefore he misses so many obvious great stuffs and potentials of a movie. I get that americans want a great story more than anything (at least from Truby's point of view), but in all fairness that's not what movies are all about. If all people wanted was a great story they wouldn't have bothered with movies, they'd just read novels.
That's why I've always had a problem trusting teachers like him wholeheartedly. You can follow all their organized neatly crafted techniques and you can still end up having a crap script. Cause let's be honest, if people like him have realized everything there is about a good story, why aren't they themselves coming up with blockbuster movies? The answer is obvious, Creativity and criticism are two completely different things. They aren't even in the same ball park. and creativity is obviously harder than criticism. A creative person is usually a good judge of a good movie, but a good judge of a movie isn't necessarily a creative one.
Bottom line I think the best leads an aspiring creator in any field can have are first his own personal experiences and conceptions, and second the successful creative ones in that particular field, and not the critics or teachers ( unless that teacher had a great artistic track record himself).
I'd like to hear what others think about this.