This case reminds me of what George Carlin said in "the Big Club" monologue about the owners of media telling you what to think, what to believe.
The #MeToo movement is a cover for what has been revealed to be systemic exploitation of women (something Rachel Weisz mentioned in 2002 or so--she said women (especially those of European heritage) were seen as whores by the owners of Hollywood). This is not a society problem--it is a Hollywood media problem.
Weinstein was shown to be a serial rapist and abuser of women, as well as a massive hypocrite-since he made films on female empowerment. But beyond that, all of Hollywood knew, and did nothing--except make jokes like the "five women who no longer have to pretend they are attracted to Weinstein." If you think about it, the joke is that the women are powerless to do anything about the abuse.
In the late 80s Lysette Anthony went to UK police about a rape by Weinstein and it did nothing.
The Italian model in 2015 who helped get a wiretap on Weinstein achieved nothing-the New York DA dropped the case. Given Weinstein's political connections, if an election had gone differently, would the mass media have even talked about it?
Basically Hollywood is the Handmaid's Tale for real-it is just the perpetrators are not of the heritage described in the book or movie or tv show.
Even more alarming, we know that Weinstein had assistants helping him set up victims-so that means he was totally protected from exposure.
And perhaps the most important fact to come to light? Hollywood is not supply and demand business--it is a cabal or mafia with deep pockets. The Big Club.
Think about it. Peter Jackson confirmed that Ashley Judd and Mira Sorvino were on a blacklist for disobeying Weinstein. What does that mean? It means a) Weinstein's business could fire employees they had spent money building up marquee value for and b) he could go to his "rivals" and "competitors" and get them to honor the blacklist.
This is an incredible admission. Imagine if it was a clothing business and Weinstein fires one of his main seamstresses and then tells the other clothes makers in town not to hire her. Why would they agree? The only reason they would is because they all share the same family background and they are not really running a supply-demand for profit business. They have money. The question then becomes, why are they in the media business? For fun? Or because they see it as a way of controlling society's information, or for social engineering?
Also has to be mentioned that such behavior was never reported to exist at Walt Disney under its founder so it isn't like "powerful men = Weinstein."
Special situation. This type of serial abuse has not been reported at Exxon or any other major business.
The solution is to have diversity in media ownership. Or something like SIMMP:
http://www.cobbles.com/simpp_archive/index.htm
Hollywood is in collapse anyway-it has alienated most of the traditional audiences--it claims to care more about Asia but I think that is just more PR nonsense. You have people with no financial limits who have little talent, a lack of respect for audiences, and they have a stranglehold on media ownership in the US, Canada, England, etc.
Back in the days of Walt Disney, John Ford, Howard Hawks or John Huston, the filmmakers mostly came from the same heritage as the audience. But these days, Hollywood wants to hire people across the globe to make content for all audiences. This makes no sense. There has never been such a thing as "global art." Art always reflected the customs and beliefs of a particular audience. Film was invented in Europe and much of the dramatic structure comes from Europe as well.
In the 1960s when cheap film stock came on the market, there was an explosion in content--from Japan to England, and the least interesting content was being done by the Hollywood majors on their backlots.
Then in the 70s, rather suddenly, all the independent film production companies started to dry up and major Hollywood was supreme-claiming that audiences didnt want variety-they just wanted the blockbuster.
We've seen the shrinking of content and the dumbing down of ideas ever since.
The only reason Hollywood is still in operation is because they are above supply and demand rules.
This was not the case for Walt Disney-he was operating a supply-demand business, but he wasn't of the same heritage as the big studios.
He would be so pissed if he saw what has been done to his company. Modern Disney has contempt for the traditional audience that Walt Disney catered to.
We need new media business badly. If audiences were allowed to select their own content, most of big Hollywood would be left behind. And performers wouldnt have to worry about being blacklisted. The only reason there is such a threat is because of the monopoly.
Not to mention, then you would probably have better performers too since how many would be actresses never went into it because they didnt want to be prostitutes?
Digital and the internet promise hope, but the big internet companies are also connected to major Hollywood corporations and seek to keep a stranglehold over content creation and distribution.