This project was all about learning how to effectively build and light underwater scenes. Sound design will be added later. Cinematography gets a lot easier when you can program the sharks to swim where you want them to.
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Thanks, we're just getting started on all the work for sub oceanic stuff, but I was reasonably happy with how this demo turned out.Wow!!! That looks magical.
Great job.
Thanks! I really like TA's use of multi tracking shots, the initial shot in Boogie Nights was kind of an education in multi tracking within a shot. You can see a similar technique employed in the shot starting at 1:20 in the video I posted. One smooth shot that seamlessly shifts audience focus from one actor (group of fish in this case) to another. In the real film, I'll probably do a significant number of these, at a much higher level, because I always liked that technique. With a completely virtual world, the sky is the limit when it comes to interconnected story beats occurring within a single unbroken shot.This has a very Thomas Anderson kind of feel about it.