I've come up with an idea for a mystery screenplay, which I think could be really interesting. But the protagonist is basically a stalker, who's following his high-school crush around. I was wondering if you had any tips on how to make a protagonist like that likeable?
I know it's possible. In Phone Booth the ''hero'' was a really despicable person, but we were still rooting for him to beat the sniper.
I know it's possible. In Phone Booth the ''hero'' was a really despicable person, but we were still rooting for him to beat the sniper.