Tell me if I am correct in jobs here :
Director: Telling folks where to stand and how to say what they are saying...in as many takes as it takes. Doesn't it get so frustrating to get it right? It seems no one understands what it is you are looking for.
Sound guy/gal: making sure everyone is at the right level and not sounding cheap or too loud or far away. How hard is it to get just right? A guy holding a stick with a mic at just the right place, knowing how high to hold it and when to move it to the next actor speaking??? and not getting tired!
Editor: Talk about putting a million piece puzzel together and filing it down to a hundred pieces. Going through each take and picking what works with what, minuet by minuet and second by second.
Music: What music is best with what scene? How to change it without anyone noticing but at the same time everyone in the audience can tell by the music what is going on...and how it mesh's with that particular scene.
Lighting guy: Ah yes, the one that never gets noticed. The one that has to make some actors look better than they ever would in real life and others like Freddy Kruger. Depending on the mood of that scene will depend on where to place the lights and what gels to use...
A lot of stuff that goes together for this film making stuff aye? I tried and tested the prosumer camera today with some bells and whistles. I thought my biggest obstical was the camera itself, you know, learning what it can do...but my goodness thats a walk in the park compared to everything else!
Director: Telling folks where to stand and how to say what they are saying...in as many takes as it takes. Doesn't it get so frustrating to get it right? It seems no one understands what it is you are looking for.
Sound guy/gal: making sure everyone is at the right level and not sounding cheap or too loud or far away. How hard is it to get just right? A guy holding a stick with a mic at just the right place, knowing how high to hold it and when to move it to the next actor speaking??? and not getting tired!
Editor: Talk about putting a million piece puzzel together and filing it down to a hundred pieces. Going through each take and picking what works with what, minuet by minuet and second by second.
Music: What music is best with what scene? How to change it without anyone noticing but at the same time everyone in the audience can tell by the music what is going on...and how it mesh's with that particular scene.
Lighting guy: Ah yes, the one that never gets noticed. The one that has to make some actors look better than they ever would in real life and others like Freddy Kruger. Depending on the mood of that scene will depend on where to place the lights and what gels to use...
A lot of stuff that goes together for this film making stuff aye? I tried and tested the prosumer camera today with some bells and whistles. I thought my biggest obstical was the camera itself, you know, learning what it can do...but my goodness thats a walk in the park compared to everything else!