and for those of us whose weak point is scripting?
Scripting is always the weakest area for indies -- which is the reason that competitions ought to encourage people to write their own scripts -- it's only by seeing what happens when what you write is translated into something you have to cut, that you get to see your strengths and weaknesses.
So, from that POV I'm with Ladd on this one -- but for different reasons.
But in the larger scheme of things what I really understand is this -- 98% of the spec scripts currently being circulated around the industry are unreadable (got this from a very reliable anonymous source).
In indie film making where there isn't the insistent financial need to reject bad scripts, the figures are even worse.
The reason I mention this is this -- I really believe any contest we run has to encourage people to become better writers. It has to challenge their ability to write.
So, what I'd like to see set is this:
You must write and shoot a film that runs exactly five minutes -- the film must have no more than twenty-five lines of dialogue, it must be high concept and must be split into four distinct acts. -- At the end of the film the protagonist must not only have changed, but have learned something.
All entries must conclude with a title page, which contains their twenty-five word, high concept logline.
Now, that's a real challenge!
There is plenty of info on four act structure already on this site -- Filmy's just given me a great definition of high concept I'm sure he'd let me post, and who couldn't do with some logline practice.
Over to you guys.