i'm currently writing a script for my portfolio film for film school and i want some feed back, but i'm scared to post it on here
i'm currently writing a script for my portfolio film for film school and i want some feed back, but i'm scared to post it on here
What scares you? That your excellent idea will be stolen and someonei'm currently writing a script for my portfolio film for film school and i want some feed back, but i'm scared to post it on here
"the poorman's copyright" can easily be faked and won't hold up in court.Get a poor-mans copyright first. Send it to yourself in the mail...but you send it registered or something. I forget exactly. But it's at least worth doing that I'd think.
What film school are you applying to?![]()
In the United States, as soon you as your pen leaves the paper, what is written is yours -- you automatically have copyright protection. Contrary to many "comments" one doesn't need to file a copyright to protect your work. Yes, you can take the extra step of having it "registered", but registered or not if somebody is going to steal your work, you don't have an extra level of protection to prevent that thief from stealing it.
The registration may help you in court, but likely you would have plenty of other evidence showing you wrote it initially.
Your primary concern posting it here would be somebody stealing your ideas -- ideas cannot be copyright protected.
Proceed accordingly.
Good luck!
Though you do have copyright protection, the key is showing WHEN your work was created.
In this digital day and age, it gets harder and harder to not be able to date your work. Further, each save or revision is also recorded in the digital realm in one place or another. You'll have a long trail supporting the originality of your work.
A thief will not have this and he'll have to guess as to when you originally created the work or started the outline. It would be nutty for a thief to spend the time to forge something as valuable as the average screenplay -- which is worth next to zero.
A typical stolen work is likely done by someone close to the project -- a disgrunted writing partner or producer who believe they own the work.
Why is there such a resistance to register the copyright?well it's not that hard if you stick to the 'vintage' method of pen and paper. when you finish a script, type it up, date the paper version and send it to a lock-box in a bank or give it to a lawyer or some other official to hold in case someone does steal it. essentially date it and give it to someone who won't let you touch it or someone who can document when you went to the place last.
I'm not understand why people are offering suggestions other then
registering the copyright.
Naturally that's the best. I think poor man's is used...well...because it's in the name...it's cheaper. I've had lawyers tell me it's better than nothing.Why is there such a resistance to register the copyright?
It's inexpensive and official. What you propose is easily faked and
any good lawyer can poke holes in these methods. A lock box in a
bank (for example) can be accessed during the life of the script. It
will cost a LOT of money to defend a copyright suit using this
method - and it's very likely to fail. What "other official" would a
writer give a script to to hold in case you need to prove the copyright
in court? Is that really better than registering the copyright officially?
I'm not understand why people are offering suggestions other then
registering the copyright.
You have been mislead by those lawyers. And do you really meanNaturally that's the best. I think poor man's is used...well...because it's in the name...it's cheaper. I've had lawyers tell me it's better than nothing.