Thanks for all the suggestions, folks. I'm going to check out the titles I haven't yet seen. It's helping me get a better idea of what
intersecting stories mean for everyone as well as shedding some light on what I *think* I want to do... I think.
Do you know if you want to spend the majority of the time on a central group of characters with strong side stories that intersect/converge, such as The Fifth Element, or spread it out pretty evenly across all sub-stories, such as Crash or Syriana?
Good question, Ray. Since I'm trying to craft somewhat of a mystery/head-scratcher, an actor playing a character in one story may very well end up becoming someone completely different in another and vice versa, so it would probably be more of a collection of sub-stories that create a whole experience (whopefully). Less ensemble acting together, more performances segmented and spread apart.
For example... I might take a character in one, borrow a key prop from another, and use a recurring location from several to create a cohesive collection of 'shorts' that all sing together and harmonize. So when it all comes full circle at the end, the reveal not only feels satisfying but makes thematic sense; a bit of a "Keyser Söze moment".
Tall order, I know, and I'm not positive I can make it all work, but I might give it a go.
There will probably be dreams involved, distorted reality, foggy memories, and a form of storytelling involved, like a character relaying a story to another.
I just came across this one via Netflix that I hadn't heard about. Will add it to the list.
The Air I Breathe
http://www.imdb.com/title/tt0485851/
We'll see. I'm probably biting off way more than I can chew. Oh, did I tell you the tile is THE KITCHEN SINK?