whats the best route to go if you can come up with unique original ideas, but have bad writing/too lazy to write?
Find a writer looking to have their scripts produced.. or maybe get a "regular job" and give up your filmmaking dream because laziness will get you nowhere faster than procrastination.![]()
lol, i consider laziness the matrix. i still need to wake up from it
whats the best route to go if you can come up with unique original ideas, but have bad writing/too lazy to write?
lol, i consider laziness the matrix. i still need to wake up from it
Ideas are a dime a dozen, execution is what matters.
Everyone has lots of great ideas - world-shaking ideas even
It's not the idea, it's the execution.
Fantastic, you guys should really be able to help him out then
http://www.indietalk.com/showthread.php?t=54648
Since they're a dime a dozen and everyone has lots of great ideas, you guys should be able to give him 6 fantastic movie ideas and some that shake the whole world
Fantastic, you guys should really be able to help him out then
http://www.indietalk.com/showthread.php?t=54648
Since they're a dime a dozen and everyone has lots of great ideas, you guys should be able to give him 6 fantastic movie ideas and some that shake the whole world
It's definitely both. And there are some great ideas, the fact that they keep getting redone is a good barometer of how great the idea actually is.
So, in other words, the way we judge an idea is by the execution - not just in the singular, but also in the aggregate. Can we really say the idea is intrinsically great then? Or, more specifically, can we say an idea is great before we have one or more examples of it's execution to judge it by? What if the first execution is poor? What if the first ten executions are? Wouldn't we consider it a bad idea at that point (or at the very least, not 'great')? What then if the eleventh execution was amazing? Would it become a great idea then? Was it then a great idea all along, just poorly executed? Or was it just another idea, no better or worse than any other, waiting for the right execution?
More practically - if we can't judge whether an idea is great until we have one or more executions to base our judgement on, what use is the concept of a 'great' idea when we're just at the initial idea stage? How do we judge new ideas? Does it matter if the idea itself is great or not? Or is our ability to execute on any given idea the defining consideration in whether the idea has the potential to be great?
Craig Mazin and John August, two Hollywood screenwriters ,have a podcast on which they often mention that Hollywood is full of people that say, "I have a great idea, I just need somebody to write it." As if, (Mazin and August joke), the "just writing it" part is unimportant busywork or something annoying that needs to be gotten out of the way before it is a movie.