In "
Drillbit Taylor" a fat kid has a rap-off with a high school punk:
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All right. I can do it. I can do it.
- Whassup, whassup?
- Whassup?
I wanna rap with you.
Hey, flip the script, Ronnie.
Hit that beat.
- Yo, this cool, Fil?
- Sure, whatever.
Yo, call me whatever you want
but you know I gets busy I'm so badass
I'm the king of Vice City
Like the Buddha, I'm Zen
Like Beckham, I bend, I tell suckers
"Say hello to my little friend"
Snap! This guy!
Hey, meatball, where's your spaghetti?
Your rapping's like a nightmare
But I don't see Freddy
You best
not even try to spit rhymes, dude
'Cause when you spit
all I ever see is chewed-up food
Yeah, that's how we roll!
That's how we do!
Hold on!
I know you didn't just go there
I got more skills than you
in my one and only nut hair
Nice, man, nice.
So you better step off
before you insult me and mine
'Cause if you decide to step on, see
I'm like a land mine
Boom!
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...But it was necessary for the songs to be written into the script because the two characters are slamming each other with their impromptu rap tunes. The main question is "Is it necessary?" Is there a special reason why YOU need to be writing the lyrics? If not, then I agree with Directorik. If it's necessary ...then rap away.
It doesn't take much for rap anyway. You could write out all of the words and have the music specialists add in the scratchy record sound effects and the always-predictable bass beat. Just remember ...if your rap music sucks ...so will your screenplay. The fact that it's rap music means you're starting out at a disadvantage.
-Birdman