There's nothing wrong with looking for a little support from other aspirants.
If we can't offer a little friendly support to each other, we're not much good then. It can't all be gear or technical talk. I hope.
I know the path to becoming a grade A-filmmaker (and not just a director of commercials) is a grueling uphill battle. But being a woman, is the battle really lost? Are we doomed from the start for no jobs, and even if we can break in, meager funding and male management?
No, it's not really lost. No, you're not doomed.
If it were lost, if you were doomed, then I suppose we couldn't even mention those notable successes, women like Lexi Alexander, Kathryn Bigelow, Nora Ephron, Penny Marshall, or Lena Dunham.
List of female film and television directors
You already said it. You know it's a grueling, uphill battle for most, male or female. I am sure it's still tougher for women. If I were king, I would decree that from now on it be a level playing field for all. But even then, you know how it is...just because the king decrees something doesn't necessarily mean the nobles or the populace will go for it. Damn Magna Carta.
I'm not trying to argue how Hollywood is unfair to women.
I want someone to prove me wrong. I wish someone could give me an opposing argument, to soothe my worrying mind and tell me it's not so. I don't want this to be accurate
What are your thoughts on female directors (or as I hope to become one day, writer/directors). Is hope lost for us?
I doubt anyone can
prove any such thing. But, if you ask me, the proof is in the pudding. Hope for you is not lost. You're indulging in more than a little hyperbole there. That's okay. I say that without judgment. We all do it, at least on occasion, I suppose. =P
I tend to come down more on the nature of things, less so on their nurture, these days. I think there are biological and chemical/hormonal and other differences.
No doubt, if a girl, or a women, wants to play with a G.I. Joe doll instead of a Barbie doll, she should have the un-stigmatized right to do so. If she wants to be a tomboy instead of a "girly" girl, then same thing, good for her.
But, I wonder just how many women regret not having had G.I. Joe dolls pushed on them when they were kids. I wonder how many women feel damaged or deprived because being tough guys, being taught anger is the only acceptable emotion that a "real man" should feel or express, or being more aggressive was not encouraged behavior ("conditioning") for them...unlike it was for the boys.
I wonder how many women resent the dubious "fact" that they were (supposedly) conditioned to prefer "chick flicks", for example, as opposed to something like
Predator, or
Rambo: A Last Chance to Kill Some of Those Commie Vietnamese Who Attacked 'Merica, After All. And I wonder how many women regret, or would change if they could, how "Patriarchal Society"
put this love for chick films in them, and at the same time, instilled in them a general aversion to "guy flicks".
They could have been properly conditioned to go bananas for violence-filled Schwarzenegger films? For horror films?
Having said all that, I'm sure that girls and women ought to be encouraged take more interest in and to pursue math and science more, as well as those careers that utilize them. But I'm not too concerned about the issue of math and science in a discussion about filmmaking and Hollywood (not that I don't realize math and science/technology play a part in the industry).
If the goal is going to be turning women into men, essentially, if that's the new virtuous aim of Society, then count me out. Sounds dystopian to me.
On the other hand, I would say that women ought to have the same opportunities as men, of course. But that shouldn't mean Society (whoever that is) ought to "condition" the sexes until there is really only one sex, some kind of strange, engineered unisexual, unigender species.
Vive la Difference sounds like a more healthy approach to me --
with equal opportunity.
As far as there being systemic discrimination in Hollywood, I suppose so. But I would guess that at this point it has little to nothing to do with misogyny, and more to do with the legacy of Hollywood being an old boys club, as it still is in so many other sectors today.
And, I would think it has largely to do with the
money. Who has it? What kind of films do the people with the money like to see themselves and, considering that, which do they like to promote? Chick flicks? Probably not so much.
But how long is that going to last?
Look at the great successes of films which are apparently being driven by teenage girls and women. Like the
Twilight films.
The Hunger Games. I'm sure many of the
Harry Potter fans were female, and many of those tickets were bought by females. Should we add
Divergent? Looks like it's not getting highly rated. How's it doing at the Box Office so far? Does that matter?
Now is the point in the discussion when I'd really like to see some concrete numbers. If such numbers exist. How many of the consumers of theater tickets, home video, and rentals are female? How many are male? How does it break down? And, if there would happen to be a trend of greater numbers of females going to films (and buying and renting), probably with stories of interest to females, then, whether of personal interest to the money people or not, you can bet they will be paying attention. They will follow the money.
And it just seems like a good bet that the more women there are making films in the future, then the more films that are of interest to females will be made, which would likely lead to more female movie goers taking an interest and buying more tickets, and then all the more money will flow in that direction allowing more such films aimed at women to be greenlit, meaning more money and perhaps more women hiring more women, and so on.
Maybe that's not true. Maybe that's magical thinking on my part. What in the world do I know? Too true. But it sounds like an upbeat and hopeful note to end this absurdly long post on. =)