available Italian film composer/songwriter looking for short, feature and docs to score.

I'm italian I started as keyboardist in pop rock groups. I am a songwriter too, but in the last years I studied film music and now I'm looking for shortfilms, features and documentaries to score.

MUSIC I DO: I love to experiment instead of doing always the same things; I do both classic orchestral music and more modern orchestra mixed with pop-rock instruments; modern film music too with sound design, ambient, electronic sounds...
Seems a lot but that is a quality famous composers have too, they always crave to discovering new flavors, things that aren't common

HERE MY MUSIC and some other things I did (I've also been an extra and stunt double actor in an italian film called 'Una notte da paura')
https://www.youtube.com/playlist?list=PLqwrFAHE2GMU8jXz-ghliobGXuYHH99ht

I'm a multi instrumentalist, I play piano/keyboards but I also write and record electric bass and guitars when needed. Songs in the playlist are all written, performed and produced by me alone.
I sang too but I prefer not to

I played tuba {and sousaphone } in marching bands, keyboards in pop-rock groups and in a Bublè cover band and I sang in choirs in the past.
Of course I wrote songs for others

Last thing: I do piano covers on youtube sometimes

I checked it out your chording, melodic, arrangement, it's pretty good. You mind if I remix a couple of these and send them back to you?

thank you! I see on your about section in your profile here that you are a director... so you do music too?
Anyway I can't find you on IMDB and not even on instagram or socials or youtube, and your website seems to not exist...

I only saw one youtube video you did all done with AI, and I'm not interested in that

plus about remixing I haven't ever done yet but I think before letting people do that you need something like a written license or so, since I don't know much about it now probably is better not to

Well, it seems clear we aren't quite on the same page. I was just offering an informal collaboration for fun. Legalzoom charges more for a basic subscription than all the composers on this site have made this year combined. Contracts are extra.

I have a music theory degree and have written literally thousands of pieces of music in all genres. My advice would be to ask around and hear what other talented musicians without industry connections have to say about the market before investing too much time and money. If you're talking about legal contracts for unsigned indie tracks, you may be missing some information about the current realities of the indie music industry.

Best of luck, your music sounds good.

Since you were unable to find any of my channels, I'll share a link or two here with some of my recent scoring work. As far as the AI, I wrote a dozen of my own AIs in python and own an AI company, My first AI company was in 2000. So it's a bit more effort than you might be assuming.



My current website this year is

The term "remix" on social media means to re-edit and redistribute the source material and you have the permission to do so. As in remixing a reel. He is saying he has not gotten to the point of licensing it out. But Nate, you are using remix in a different way, and want to try something and send it back to him to see if he likes it and to have a little practice yourself, correct? Nothing is being shared on the internet, correct?

indietalk said:

The term "remix" on social media means to re-edit and redistribute the source material and you have the permission to do so. As in remixing a reel. He is saying he has not gotten to the point of licensing it out. But Nate, you are using remix in a different way, and want to try something and send it back to him to see if he likes it and to have a little practice yourself, correct? Nothing is being shared on the internet, correct?

Click to expand...

That's correct. I've never been aware that people were using that word to mean "redistribute" but then I'm well out of the social media loop. To me remix means remix, not remix and redistribute. You would need to have a contract for that, but as I was mentioning, legal providers would charge a lot more for the contract than any profit that would likely be derived from unsigned indie tracks, which now number in the tens of millions. In the DJ scene, it's common practice to pass around tracks and have fun building on each other's ideas. Groups of us used to gather with actual acoustic guitars on my porch and "Jam". To me remixing is the way to continue that tradition over the internet.

So yes, my definition is the OG remix, passing a song around between artists and trying out takes and versions for fun. I was just going to grab up some tracks, try out some new harmonies and orchestrations, and send them back to him.

Just for trivia, before I was born people did this with sheet music and called it "arranging", I know people with thin halos of white hair that still call it that.

On IG if you see a reel you like, and there's a remix option, the author has granted permission for it to be remixed and shared, with author credit. This means adding/removing frames, adding your own frames, changing the music, etc., and posting it as your own. FYI. I think @Daniele Nasuti had this definition in mind.

Yeah, staying off of social media has been great, but it's already clear while launching the new site that it's absolutely mandatory that I spend 6 hours a day on x, IG, discord, facebook, bluesky, reddit, telegram, and others to qualify as an authentic person. How is anyone getting any work done? lol. I see people running billion dollar companies that are on X 16 hours a day. Who's running the office?

The irony for me is that I left social media because everyone was so fake. Now I'm fake because I left.

Everything we do in life affects who we are.

If you had been a paramedic that would be interesting.
If you had raised foster kids that would affect you as a person.
If you had worked as a janitor in a law office that would give
you a good perspective on many things that others see only
from far away.

All those things could be included in your resume.

Since the composer doesn't talk with the actors or costume
designers, having been on a set 15years ago doesn't mean
much if I (the director) don't like your music. And having no
experience at all on a set, ever, doesn't matter to me as the
director if I love your music.