Need a tissue?
Okay, joking aside, do you really need to do 1500 storyboards? Are you remaking "300"?
I thought you said, 'joking aside.'
At OP: Sounds like a rough day but the tedious and repetitive aspects have to be done at some point
I guess my post did have a jokey-tone, but it was meant to be sincere. My point was that the only reason to storyboard the whole damn thing is if you're making a VERY visual movie, like "300". Otherwise, I think shot-lists mostly perform quite admirably.
My intent is to shoot minimal coverage (with longer takes) with deliberate character blocking & compositions. This means, close collaboration with my DP. For me, in-camera editing requires some serious thought on my part, because I need to know what additional coverage I'll need (if any). The boards, cut to a scratch-track, will be the medium for us to discuss the shot list.