Hello all,
I've been working on my first feature (Director/Cinematographer) since July last year. Here is the very first teaser that I managed to cut today. This is really just a collection of shots, grading isn't final.
- Shot primarily on the BMCC in 2.5K RAW and second unit used a BMPCC in RAW.
- Budget so far amounts to around £2500.
- Cast and crew totalled 6 people.
- Shot in 11 days. (Main shoot was 7 days shooting/sleeping at the barn location)
Watch in 1080p
https://www.youtube.com/watch?v=dXE4BQvGYOg
Lenses:
- 80% of the film was shot on a Tokina 11-16
- Nikon AI 24mm, 50mm, 85mm also used
- Tamron 17-50mm used in a scene
- BMPCC used a Panasonic 14-42mm kit lens
Lighting:
- Fake Arri 500W Fresnel
- Fake Arri 150W Fresnel (died on set)
- 2x 312 bi-colour LED panels
- Daylight CFL bulbs (clipped to lightstands)
- Lee gels (frost, diffusion, red, blue)
I've been working on my first feature (Director/Cinematographer) since July last year. Here is the very first teaser that I managed to cut today. This is really just a collection of shots, grading isn't final.
- Shot primarily on the BMCC in 2.5K RAW and second unit used a BMPCC in RAW.
- Budget so far amounts to around £2500.
- Cast and crew totalled 6 people.
- Shot in 11 days. (Main shoot was 7 days shooting/sleeping at the barn location)
Watch in 1080p
https://www.youtube.com/watch?v=dXE4BQvGYOg
Lenses:
- 80% of the film was shot on a Tokina 11-16
- Nikon AI 24mm, 50mm, 85mm also used
- Tamron 17-50mm used in a scene
- BMPCC used a Panasonic 14-42mm kit lens
Lighting:
- Fake Arri 500W Fresnel
- Fake Arri 150W Fresnel (died on set)
- 2x 312 bi-colour LED panels
- Daylight CFL bulbs (clipped to lightstands)
- Lee gels (frost, diffusion, red, blue)
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