Okay, Uncle Bob is going to get brutal here.
You ASSUME that this is good gear? That means you did not do sufficient research. It's probably all moot at this point, as you have already bought the gear, but the equipment you bought is low level prosumer stuff.
The NTG-2 is an okay shotgun mic, but, as with most self-powered mics, it has a low output level. "Hollywood" types use Schoeps (in the $2k to $4k range) and Sennheiser, Neuman & Sanken (in the $1k to $2.5k range) shotguns. At the entry/mid level professional level is Audio Technica, Sennheiser and upper level Rode shotguns ($750 to $1.5k).
The next thing that you need to consider is are you shooting primarily indoors or outdoors? If you are going to be shooting mostly indoors you should have considered getting a hypercardioid or supercardioid mic. This will reduce the "roomy" sound associated with using a shotgun mic indoors - if used properly, of course. A shotgun used indoors requires a fair amount of skill.
The Tascam DR series are decent prosumer recorders, but far from professional quality. They are aimed primarily at musicians and do not have the extras associated with production sound requirements. A "Hollywood" mixer/recorder would be something along the lines of Sound Devices, in the $800 to $8k range. Some folks are reporting decent results with the Zoom "F" series mixer/recorders, although the jury is out on long-term durability.
The Rode Videomicro is a decent on camera reference mic to be used for syncing purposes, but any on-camera mic is not going to give optimum pick-up.
And what are you doing with eight Zoom H1's and "mini" mics? I'm assuming that these are for micing up individuals. Do you really need to mic up eight people? You'll be looking at a syncing nightmare in audio post! Not to mention how are you going to monitor all of them? At the "Hollywood" level wireless systems with lavaliers are used and sent to a multitrack recorder.
You didn't even mention which boom-pole, cabling, dead cat and headphones you got, but I will assume that you cheaped out here as well.
A real "Hollywood" production sound cart starts at about $20k, and can easily get to well over $50k. A "Hollywood" production sound bag can be between $5k and $15k.
The most important issue here is, who will be running everything? What makes "Hollywood" sound is the PSM (Production Sound Mixer) and Boom-Op who are working the gear. They could get very solid sound with upper level prosumer gear; the quality gear the experienced professionals use is what makes "Hollywood" sound.
Sorry to be so brutal about all of this, but you are looking at a boatload of trouble here.
I'll stop beating up on you now.
Good luck!