I finished a script a few months back and paid for a few of those coverage/evaluation/professional review/etc services that give you specific critique on dialogue, setting, plot, the works. They all provide a logline with their review.
Here's my dilemma... each logline from each new person takes a different direction. They are all reading the same script but come up with completely different views of how the logline should be. Some portray the MC and his love for a girl as the main point, while some portray the MC and his issue with his father as the main point. And then they each give a different conflict for the MC.
And all of them are completely different than my original logline.
I understand I can just combine whatever works best, but now I'm confused with all the vast variation what actually would work best. If each of these professionals are seeing such a different perspective of the script, how do I know what best works when then marketing it?
Thoughts? Thanks!
Here's my dilemma... each logline from each new person takes a different direction. They are all reading the same script but come up with completely different views of how the logline should be. Some portray the MC and his love for a girl as the main point, while some portray the MC and his issue with his father as the main point. And then they each give a different conflict for the MC.
And all of them are completely different than my original logline.
I understand I can just combine whatever works best, but now I'm confused with all the vast variation what actually would work best. If each of these professionals are seeing such a different perspective of the script, how do I know what best works when then marketing it?
Thoughts? Thanks!