To get the distribution morals changed, you'll need to get numbers behind you, by the look of this thread as a small cross section, the numbers favor the studios model.
What numbers? Like I said before, there is no ACTUAL loss of product. Only the loss of a POTENTIAL sale... there's a difference between "asking for donations" and accepting that a percentage of people just won't pay to see a movie but DO anyway. Let me put it this way... you've got Microsoft Office and the OPEN OFFICE... one is like $400, and one is FREE... You'd expect that Microsoft would be run off the edge of the world for making people PAY for something anyone can get for FREE, but hey, Microsoft Office still SELLS. They both do essentially the same thing, only Microsoft has more services, tech support and quality features.
In the same respect, downloading a movie and buying a DVD have the same argument.. for the DVD, you get all the EXTRAS and QUALITY assurance from the source, whereas by downloading, you may not even get a full movie, or maybe it's dubbed in Hungarian or something...
All I'm trying to say with this is that when people LIKE and WANT a product, they'll buy it. If they don't, they won't... but no one will turn down something that's FREE.
Hence, why I own 3-5 copies of EACH Evil Dead film on VHS and DVD... and NO copies of the two Spiderman sequels (though I admit to seeing number 2 in the cinema... blech...).
If there's a movie that looks like it may be on par with the quality of Spiderman 3, I most likely will NOT pay for it... but if someone were to lend it to me and I end up enjoying it, I may change my mind and purchase it. Clive explained this better, citing the "positive" effects of exposure through Piracy. It's like a DEMO, or a TRIAL.... sure not an "authorized" one, but whatever... at least they downloaded the film and didn't STEAL A DVD, so you're out nothing but an imaginary sale.
If they don't perceive piracy as theft (which it is from my point of view, because I've got thousands of dollars invested in the production of that product which will be lost, if I cannot sell it), then nobody will see a need to pay, and people like me will look for other ways to make money.
Yeah, but that's software piracy. Different story. Software is a PRODUCT. A film is ART that is distributed AS a product. When people pirate a film, they are stealing the art (which should be free) and there is no loss of PRODUCT.
And if NOBODY sees a reason to pay, that means you're only advertising your product to people who don't WANT to pay for your product. As Knightly said, if this thread is any reflection of market trends, MORE people WILL PAY for a product than illegally download it.
Therefore, if EVERYBODY is stealing your product, there are only two answers:
1) Your product isn't good enough to make people justify the cost
2) You're not advertising the product in an effective way to the market that WILL buy it.
Solutions:
1) Make the product better and offer incentives to buy it (lower cost, free upgrades, etc)
2) Change your methods or venues of advertising. The internet is notorious for being "free". Maybe try some print ads? TV commercials? Cold Call some businesses... I'm willing to bet you market your software online... I've NEVER purchased software online, because even if I NEED it, there usually is several programs with free trials. If I LOVE the software and want to use it ALL the time, I'd buy it then. But NEVER before trying it for free.... hmmm...
I ask you this. If a film was made and was teh best film EVER, everyone said how good it was and it would change your life forever but you know if was ONLY EVER available in another country and unless you went there you could NEVER see it would you not HONESTLY try and get a copy to watch?
And just on that note, I mentioned earlier that I was chatting with a Saudi boy (13-14 yrs old, he was) who said his town didn't even have a cinema... part of that, he said, was due to the culture of Arabia... but he downloads movies... who knows? Maybe one day, he'll download a movie that will inspire him to start a cinema in his town which plays Hollywood movies? That in itself could make a good film...
Logline: When a young Saudi pirates an inspiring movie, he embarks on a quest to bring the magic of North-American style cinemas to a region where movies are taboo... until the lawyers from major studios find out that the cinema is displaying illegally downloaded movies and send a task force to ELIMINATE him! Now, with both the American film industry and the Saudi cultural police tracking him down he must recruit the help of the Sweedish Pirate Industry to save the day!
But Clive said my point better... since the industry really doesn't KNOW the true effects of piracy, how can the "law" know? And if there are positive effects, can't that cancel out the negative effects?
Has to be looked at on a case-by-case basis.