Yeah, I noticed the number, though I had my suspicions that was the location even before we got to see the hangar..
I dunno.. Karen Allen's performance seemed about spot on to me.. she was still very much Marion, but a bit older, a little more even keel -- which makes sense, given the new developments in her life since we last saw her.
I was thinking more in terms of the delivery of her lines. She just seemed a little "off" at times. But, then, at 40 (July 3rd), I grew up watching her in her younger years, most notably, of course,
Raiders, Starman, Scrooged, and that's the preconceived mental picture I had when going into this film. Maybe my expectations were too high. That, and I'm 20 years older, too, so my personal experiences have changed how I view things. I'm sure a much deeper understanding of the filmmaking process and storytelling techniques also hurts my ability to shut off my left brain and just enjoy the ride. I am much more analytical these days than I was as a teenager when I first fell in love with the Indy franchise.
But this is the same feeling I had when I first walked out of
Transformers. It wasn't until subsequent viewings that I grew to appreciate it for what it was. No movie is perfect just because of the nature of the beast (target demographics, and all - I'm no longer in the 25 and under category), but when your brain is trained to see them, the flaws tend to stick out more.
The last movie I recall where I walked out floored and went to see it over and over again (11 times within its first two weeks of opening) just to pick it apart (even though it, too, had a few gags that fell flat for me) was
Jurassic Park. But, then, with this movie, Spielberg hit a fundamental desire in me to "walk with dinosaurs", a dream I had from a very young age. That scene where the jeep pulls up and the Brachiosaur is revealed still gives me goose bumps. It was Laura Dern's facial expression that truly sold it. And when Allen says of the Triceratops that it was his favorite as a kid, well, it was mine, too. I could identify.
When I first walked out of Indy 4, I failed to initially see the "myth" involved that is so ingrained in practically everything Spielberg and Lucas create, and then it hit me. I know what he was going for based on the underlying premise, but because I grew up with other franchises based on similar notions, I did not have a eureka moment. That, and some of the new character relationships seemed a bit too convenient. I can't go into details yet without spoiling things, but once everyone has seen it, we can go more in depth of my thoughts and analysis.