Hey guys, I wondering your opinion on a problem I have in a feature length script.
Basically in our initial draft we have a fairly traditional protagonist vs antagonist structure however we don't have them physically meeting in the last act mainly for many reasons but mainly plot driven.
My worry is that though they are aware of each other I keep coming back to the best protagonist/antagonist's in film come into contact with each other early and often. Is there a way to make their connection personal and dramatic without on screen contact? Any examples? Cheers
Basically in our initial draft we have a fairly traditional protagonist vs antagonist structure however we don't have them physically meeting in the last act mainly for many reasons but mainly plot driven.
My worry is that though they are aware of each other I keep coming back to the best protagonist/antagonist's in film come into contact with each other early and often. Is there a way to make their connection personal and dramatic without on screen contact? Any examples? Cheers