And what's a Grand Entrance without audio? Wait. Here's a link:
http://www.nonstick.com/sounds/Genie/ltge_001.mp3
I've already posted in the Cameras forum, about adapting a ProAim matte box to work with Visual Products rails on my Aaton. It ain't pretty, but it works.
I've been dabbling in films since high school, [deleted] years ago. Started out on super-8, of course. I've done a lot of work on no-budget and student films, shot weddings on video, shot instructional and industrial videos, shot two scenes of 'the worst professionally produced film [this critic has] had the displeasure of sitting through', worked as a Script Supervisor on a film that actually got distribution, gripped, and was DP on a project that fell apart and never got finished.
I've got piles of cameras, lighting, and grip gear.
What I don't have is a project to work on. (Well, I do... But I really don't like writing; and until I finish writing it, it's not really a 'project', is it?) So I found this place and thought I'd hang out.
Hello!
http://www.nonstick.com/sounds/Genie/ltge_001.mp3
I've already posted in the Cameras forum, about adapting a ProAim matte box to work with Visual Products rails on my Aaton. It ain't pretty, but it works.
I've been dabbling in films since high school, [deleted] years ago. Started out on super-8, of course. I've done a lot of work on no-budget and student films, shot weddings on video, shot instructional and industrial videos, shot two scenes of 'the worst professionally produced film [this critic has] had the displeasure of sitting through', worked as a Script Supervisor on a film that actually got distribution, gripped, and was DP on a project that fell apart and never got finished.
I've got piles of cameras, lighting, and grip gear.
What I don't have is a project to work on. (Well, I do... But I really don't like writing; and until I finish writing it, it's not really a 'project', is it?) So I found this place and thought I'd hang out.
Hello!