I was told before on this thread to record a focus test, and that's what I did. I will do a short later on as well of course.
Alright I apologize then .
Good luck again
I was told before on this thread to record a focus test, and that's what I did. I will do a short later on as well of course.
K I made a video without the camera being shaky. As you can see I do not have much of a depth of field range at F8, unless I am focusing it wrong or something.
http://youtu.be/ha4ZS9g8jPI
You forgot to answer the other questions : what camera and what focal length ?
(just so you know, there is no camera/lens in the world that will allow you to have focus on something very close to the lens at the same time than something very far... there is a balance that needs to be found for the "how close can you get").
(just so you know, there is no camera/lens in the world that will allow you to have focus on something very close to the lens at the same time than something very far... there is a balance that needs to be found for the "how close can you get").
Obviously if you shoot at f2.8 you would have a shallow depth of field and the talent would go out of focus very very quickly. Much faster than at f8.
honestly, you guys... why do you bother, you give answers, you give exact technical details, you could even show the guy whats what, he still will give you dumbass answers.
just give up and give your answers to someone who actually listens, who has talent, who is going somewhere and doesnt frustrate you.
infact even better... start making some films!
honestly, you guys... why do you bother, you give answers, you give exact technical details, you could even show the guy whats what, he still will give you dumbass answers.!
This is wrong. Even at f2.8, you can get infinite focus if you focus beyond the hyperfocal (which is at 17.7ft for a 17mm lens on APS-C).
That is to say, at f2.8, on a 17 mm lens on APS-C, a subject at 9 feet from camera and another one at 18 and another one at 30 are all three in focus.
But a subject at 7 feet from camera will never ever be in focus at the same time than another one at 30.
It's worth you doing anything that takes you away from the computer.
Sorry I forgot to mention the lens in the first video. It's a 50mm at f8. I focused on the coffee pot originally, than the snelf, more in the foreground, then back to the coffee pot.
Here's a video f16 with a 50mm. I know what aperture diffraction is but I thought maybe it's an acceptable trade off, since anyone wanting to shoot really really deep focus on a DSLR would have to go there.
http://www.youtube.com/watch?v=iqIVGNzWST4
And here's a video with an 18mm lens at f8. I typically don't like wide lenses cause of risk of barrel distortion, if actors walk too close, but they are good for small locations, so I will use one. In this video it looks like I (that's me), may be in focus the whole time, unless I go out a little but it doesn't look like. What do you think?
http://www.youtube.com/watch?v=iqIVGNzWST4
Sorry I forgot to mention the lens in the first video. It's a 50mm at f8. I focused on the coffee pot originally, than the snelf, more in the foreground, then back to the coffee pot.
Here's a video f16 with a 50mm. I know what aperture diffraction is but I thought maybe it's an acceptable trade off, since anyone wanting to shoot really really deep focus on a DSLR would have to go there.
http://www.youtube.com/watch?v=iqIVGNzWST4
And here's a video with an 18mm lens at f8. I typically don't like wide lenses cause of risk of barrel distortion, if actors walk too close, but they are good for small locations, so I will use one. In this video it looks like I (that's me), may be in focus the whole time, unless I go out a little but it doesn't look like. What do you think?
http://www.youtube.com/watch?v=iqIVGNzWST4