In need of a good movie :)

How to get into David Lynch, the JoshL way:
(note: not the order in which I watched them, just how I'd recommend them)

PHASE 1
Introduction:
The Elephant Man (see, he can do normal movies too!)
Blue Velvet (weirder, but accessable story. Start to get a feel for his style)
Twin Peaks (I'd almost lump this in with Blue Velvet. It's great for very similar reasons)

PHASE 2
Delving Deeper:
The Straight Story (another kinda normal movie, but it does make more sense after you understand his style a little more)
Mullholland Drive (I love this movie, but you'll get more out of it after you've seen some other stuff)
Eraserhead (brilliant movie, but I do agree with SiCurious, maybe not the best starting place)

PHASE 3
You've become a fan:
Inland Empire (in my opinion, his best, but tough to get if you don't already know his style)
Wild At Heart (great film, but I put Mullholland drive in Phase 2, so this goes here)
The Lost Highway (my least favorite, but it has its' moments)

Optional:
The early shorts (they're good, but definitely Lynch learning what to do)
Industrial Symphony #1 (actually, this is REALLY great, but hard to find)
Dune (I love it, but it's not a David Lynch movie, as such)

Before you know it, you'll be checking the daily weather report!
 
I concur with JoshL, except maybe i'd put Wild at Heart and Lost Highway (which I love) before Eraserhead. Inland Empire is definitely the most impenetrable, but great film. Straight Story and Elephant Man were only part-Lynch if I remember correctly, and slightly more accessible.

Twin Peaks is the best TV show ever made.
 
By now you've probably figured out you should watch Requiem for a Dream; if only because I can't think of a more polarizing film in a purely artistic sense. Not in terms of subject matter, but in terms of "OMG that was so depressing, it was amazing" vs. "OMG it was so depressing I hated it." The discussion itself - regardless of what an individual finds "enjoyable" - is a testament to the strength of the film making and the director's fluency with the language of the craft.

I'm hard pressed to think of a film that creates that kind of discourse or one that wields a sledgehammer throughout and yet doesn't come across as banal or obvious like so many overt visual metaphors these days.

For that matter, watch everything by Aronofsky. Love him or hate him, he knows the craft and surrounds himself with like-minded artists.

Other recommendations:

http://www.imdb.com/title/tt0762073/

http://www.imdb.com/title/tt1216496/

http://www.imdb.com/name/nm0864775/

http://www.imdb.com/title/tt0077405/ (for the cinematography, try to watch in as high quality as possible)

http://www.imdb.com/title/tt0061512/ (For Paul Newman, for the cinematography, for well, everything)

I could go on, but many already mentioned and others will be as well.
 
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Reservoir Dogs
Pulp Fiction
Inglorious Basterds
The Big Lebowski
Full Metal Jacket
Office Space
Apocalypse Now
Forrest Gump
Matrix
Pineapple express
Sin City
 
I Sell The Dead
Nosferatu
Sukiyaki Western Django
Amer
Exit Through The Gift Shop
M (1931)
Manic
2081 (Short Film)
The Cat With Hands (Short Film)
Ted Parmelee's Tell Tale Heart
I Saw The Devil
Wristcutters: A Love Story
Rashomon
Right At Your Door
eXistenZ
Outcast (2010)
Rhinoceros Eyes
Memories (1995)
 
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