Well, at least the thread hasn't devolved into the traditional "Moore is fat!" comeback, when running short on ideas. 8)
But back to the film itself...
I think it was well crafted. Extremely well put together. Was it good enough to win the top prize at Cannes? I do not know. I have not seen the other competing films.
Unlike other Moore films (and tv shows), he is remarkably absent from from the screen... but his voice is that of the narrator, so he still has a presence. For the most part, when he does appear on screen doing his "schtick", I think it was well placed to provide a sense of comic-relief... cleverly inserted between the main segments that continually get darker, heavier and almost overwhelming. It provides a needed jolt to an amusing (and cynical) "high", before continuing the freefall drop back to the main story.
I found it interesting that the movie ends with some analogies from Orwell's classic "1984", concerning war and the reasons for why (or why not) it is waged. Ironically, I would say the film has an Orwellian tone of its own that I have not seen addressed anywhere so far. In "1984" there is the weekly "Hate" that people can attend to vent their anger and frustration at regimes.
In the context of the book, these Hates were arranged by the government to rage against the current enemy-du-jour. (I think it was Goldstein, irc) The images of atrocities committed by Goldstein and whichever country he was from are flashed over a screen in a montage-like fashion, and the faces merging in & out with that of a bleating sheep... focusing the anger of the people to distract away from their own regime's faults. I see F9/11 in a similar fashion, on some levels... but with clearly different targets.
Now the thing that makes the movie so difficult for many people, it seems, is a confusion between "truth" and "facts". Does the movie lie? The facts are all correct, yes? That makes for a "true" movie, right? Wrong.
In reality, there are no truths.
You can have verifiable facts and incidents... and use those to tell a story... but it's the fashion of presentation and an ever-present bias of some kind that will always blur a truth, to some degree. Combine that with what an audience wants to hear, and we end up with F9/11. To the people that want to hear it, it's the call to give Dubbya his marching orders. To those that want to hear it, it's a smear campaign by the so-called liberals to damage a sitting President. (I have yet to talk to any undecideds to guage their reaction to it)
Now the funny thing is... both ends of the political spectrum are correct in their views of the film. The "facts" presented in the film are certainly verifiable, but the truthfulness of the film itself is most hotly debated. The real question is... what was the motive behind these confirmed facts and actions that took place (or did not take place)... and Mr Moore, in his typical fashion, has merely asked these questions and provided no concrete answers.... but an awful lot to think about.
In some ways, this method of presentation is a good thing. Show some facts, show some footage, ask some questions... what does Joe Public conclude from it? On the same hand, it also allows people that disagree with the film's obvious bias to rationalise many of the films "facts". There is no disputing the fact that after Mr Bush was told that America was under attack, he opened his copy of Billy the Goat and began to peruse the pages for several minutes.
But what does that really mean?
Why did he take that course of action? Noone will ever really know for sure, but we can all second-guess what was going through his mind. And that's about it. The left will continue to believe he was in a state of frightened stupidity, the right will continue to say he needed those minutes to formulate a plan of action. The audience saw what they saw... but did they really know what it was they saw?
(cont'd)