Hey there. . .

So I'm new to the Art of Film and Video. Currently as an Intern, editing SD Wirecast video in Final Cut Pro 7 for the Center for Spiritual Living, Santa Rosa. I've got the bug to learn everything I can about the Art and Science of Video. Feel like I'm drinking from a fire hose of information and in over my head right now. A Mentor suggested I subscribe to and participate in this forum. So here I am.

Amanda
 
Welcome, Amanda.

Lots of info here too... What kind of stuff do you want to learn about? "Everything I can" is kind of a broad subject range... :)
 
Welcome, Amanda.

Lots of info here too... What kind of stuff do you want to learn about? "Everything I can" is kind of a broad subject range... :)

Well, I tend to fixate on technical stuff first. Once I have a sense of having a solid technical foundation under me I then focus on the "Art of".

I've been successfully editing under predefined conditions for the past couple of months. Meaning all of the Final Cut Pro parameters were set for me to work with a particular vid.mov format and the output compression parameters were set for me as well. You know... "don't ask questions... Just do this..." Which was fine and I learned a lot about basic editing. Now that I am breaking out of the predefined conditions I'm feeling confused.

Example 1: I was recently given a few clips from a HD video Camera in clip.MTS formats. FCP7 does not load MTS formated clips. So! I used a converter to convert from MTS to a FCP7 acceptable format. When I loaded the clips in FCP7 I was surprised when I did some motion centering and zooming to center the subject and the resultant video became kind of blurry. Why did this happen? Clearly I made a wrong choice somewhere and lost my high definition. I suspect it has to do with converting Frame Sizes and other stuff. So maintaining video definition and integrity (or what ever the appropriate nomenclature is to refer to this) through the entire Production Work Flow is a subject to learn.

Example 2: I was recently asked to shoot a lecture in a room with overhead fluorescent lights. The talent had a bald head and everything he walked to one spot his head would bloom with light and the camera would react on automatic. What a nightmare trying to find the right camera settings so this would not happen. So Lighting and Camera settings are subjects to learn.

Example 3: For the main stage area we have 3 cameras that feed into Wirecast for a Live Edit. I haven't started directing yet BUT I'm hearing complaints about direction from parties. "Too many camera view changes". Is there a golden rule about how long to stay on a camera view? Of course Direction is a subject learn.

Example 4: During one editing session I was detecting a problem with the sound. It turned out to be a knob on a sound board was not turned off or all the way down which resulted in some "occasional" voice distortions. Sound engineering is a subject to understand.

Example 5: My personal Sony SD camcorder uses tape, so it has a motor that the mic pics up. I know you can send the sound track through SoundSoap (they went out of business) and filter out the motor noise. Another Sound Engineering area to learn.

Example 6: One of my first videos was focused on a Business Group, a bunch of talking heads. It was as boring as watching paint dry. How do I make the video appealing, capture interest, render useful information?

Example 7: I have an idea that will produce some useful videos for the general public. How do I go about obtaining the production elements AND funding to "do it"?

AND of course I'm so green I don't know what I don't know about.

Well now that I have bored you with my stuff... I know it sounds rather naive to say that I want to learn everything I can about the Art and Science of Video BUT its true... I do.

I am talking classes in things like "Intro to Production", "Field Cameras" etc., when I can find a class and I can afford the class. AND I'm hoping I can ask questions here in this forum that will provide me with answers or at least pointers to where an answer can be found.

Is there a book that every aspiring film and or video productionist should read? How do you go about "learning everything you can" about the TRADE? All advice is welcome.

So there you have it.

Amanda
 
Welcome Grasshopper!
I'm one of the audio guys here.
Always remember:


Your project will only look as good as it sounds, because
"Sound is half of the experience"


https://www.youtube.com/watch?v=WCyJRXvPNRo​

"Old man, how is it that you hear these things?"
"Young man, how is it that you do not?"
 
Example 7: I have an idea that will produce some useful videos for the general public. How do I go about obtaining the production elements AND funding to "do it"?

Pull out your wallet and do it, or find a way to make it appealing to show how someone would get a return on their money. This isn't an easy subject but you'll want to learn a Producers role and film finance for this.

AND of course I'm so green I don't know what I don't know about.

Well now that I have bored you with my stuff... I know it sounds rather naive to say that I want to learn everything I can about the Art and Science of Video BUT its true... I do.

Nothing wrong with that. There's a lot of information to learn. There really is. The first part is for you to learn a lot of what's out there, so you can work out what else you want to learn about. Go down to your local library and read, read, read, read and read some more. There's a lot to learn. Good luck!
 
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