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Concept Help

I'm thinking about writing a wilderness survival comedy, but I am currently in the process of gathering enough material, ideas, and jokes for the script... one thing I think I really need is something for the main character to speak to... you see, he's all alone, so there's really no reason to speak, but I kind of need him to (especially since most of my comedy comes from dialogue)

Like the volleyball in Cast Away, I need some sort of object, or possibly a journal, or a video camera (like 127 hours)


Can anyone help me?
 
How about a broken camera phone that he cant use to call, but might be broadcasting video... he doesn't KNOW for certain that its working..

variation on above..

broken radio receiver but transmitter seems OK..

......

or use that old literary device.. he keeps a diary..

or start without monologues, but eventually the guys just starts talking to himself.. like I would!

or don't have monologues.. show it don't tell..

or.... mix of the above.. some short diary entries as VO to support the action..
 
I'm thinking maybe the broken camera phone idea. I would prefer it if it's one character not two, because I wanted to focus on this one particular guy... there are plenty of flashbacks, I'm thinking. But i don't know yet... this is the weirdest part about writing a story
 
What you have is a "setting" and a "genre" for a story. You dont have a story yet. Thats cool.

Maybe you can define what your story is about.. (not the plot, settings, character and genre) but what its About (capital A)

Your story could be About:

How finding the comedy in life can help a man survive and even thrive in a life threatening situation.

If you think becuase its comedy it doest have a "big idea" or deep meaning, your wrong, and your missing a key aspect of what makes something funny.

Think of any "funny" movie.

For example, I watched "Blazing Saddles" last night, to me that movie is about the continuation of racists stereotypes even in the so called "open minded" liberal Hollywood elite. Mel Brooks very much new which nipples he was tweaking!.


For great examples of how VO works to accent a story watch Woody Allen movies.
 
well, i have most of the plot points figured out.. and the character development.

See, the main character (in the beginning, his regular life) never faces his problems, avoids confrontation, and just shuts away from the world and cries when faced with a situation. when he's thrust into this life threatening situation, it completely forces him not to divert from his problems, and take it like a man. When he returns, he is a better person, and solves his problems directly (there are three big ones I've thought of)

He'll spend about 2-3 months in the wilderness, and I know how it progresses... I don't think I want to change it to two characters
 
Ah, a classic "reluctant heroes journey" tale.

Id keep it simple, set up ONE major real world flaw that is insurmountable by the hero as he is in the real world. Set up a conflict that we KNOW he must overcome.. but then sideswipe him into the wilderness survival journey.. we think its all over when he gets out of that situation alive.. but then we are reminded of the initial main conflict and then he beets that too!


So your just looking for a plausible reason to have the one guy talking on camera?


Maybe you'll find this useful..

vogler-plot.gif
 
A pet rock?

A canteen that he progressively gets angrier at when he drinks from it because it doesn't magically refill.

A box of matches.

The leafs he uses when post-restroom break.

His copy of the Book of Answers
 
Since it is a comedy he could be talking to the various animals he encounters. You could even be clever about it and have the various animals mirror his attitudes - the timid rabbit, the inquisitive raccoon, the annoying bird. etc.
 
Well, it's part comedy, with dramatic elements. By the climax, it literally becomes humorless and suspenseful... but you two are on to something there... maybe he could have a serious anger problem as well...
 
Ooh, while I can't help with the Wilson-esque companion thing, I can offer advice on a humorous mistake a lot of inexperienced outdoorsmen make, or almost make before being corrected by someone. You see, I go backpacking and hiking a lot, so I like to think I sort of know a little bit about what I'm talking about.

You see, it is always a good idea to carry bear spray when hiking (it's basically just mace with a bear on the label). You use it just like mace, and spray the bear when it gets too close. However, it's a better idea to just shout at it and make noise to make a bear go away and only resort to the spray when it gets frighteningly close to you, but that's beside the point.

Anyway, a lot of inexperienced hikers assume that since you spray a bear to make it go away, you can also spray it on the ground in a circle around your camp to keep bears away at night. This is a very bad idea, because bear spray has pepper in it, which is a food and thus attracts bears. Also a lot of people forget to put all of their food into a bag and hang it in a tree away ffrom their camp (this is called a bear bag). If there is any trace of food at the camp, you can bet a bear will do its damndest to find it. I've woken up to find a hole in my pack where I accidentally left a candy bar wrapper.

I don't know if you'll find any of that useful, but I definitely think there's a lot of potential comedy to be had with bear related ignorance. Or something.
 
And watch 'Without a Paddle', 'Without a Paddle: Nature's Calling', 'The Great Outdoors', 'Funny Farm', 'City Slickers'.

http://en.wikipedia.org/wiki/Without_a_Paddle
http://en.wikipedia.org/wiki/Without_a_Paddle:_Nature's_Calling
http://en.wikipedia.org/wiki/The_Great_Outdoors_(film)
http://en.wikipedia.org/wiki/Funny_Farm_(film)
http://en.wikipedia.org/wiki/City_Slickers

Can't think of anymore outdoor films.
Might wanna take a few parody stabs at 'Deliverance' and 'First Blood' for good measure, as well.
 
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