"I just think if you had to choice between manual exposure and manual white balance, exposure control wins."
Even the cheapest Canon's have both (old zr40's do), so I would actually question someones judgement for buying a cam lacking one or the other. I think that's what I was getting at.
I also agree that you can get away without using the tungsten or daylight filters shooting the wrong film stock, but it is easier to deal with in film, because of the nature of films dynamic range. Video can be fixed, but it will take more than altering the color in the telecine (or workprint process) to do it. So, in that regard I think tape is less forgiving (due to many factors, compression being the primary one).
Even the cheapest Canon's have both (old zr40's do), so I would actually question someones judgement for buying a cam lacking one or the other. I think that's what I was getting at.
I also agree that you can get away without using the tungsten or daylight filters shooting the wrong film stock, but it is easier to deal with in film, because of the nature of films dynamic range. Video can be fixed, but it will take more than altering the color in the telecine (or workprint process) to do it. So, in that regard I think tape is less forgiving (due to many factors, compression being the primary one).