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I recently built this: www.danbowhers.com Anyway, thought Id share my reel and some passion pieces Ive been a part of lately.

The music is the best part.

It looks cool for a short period of time, but the idea and execution wont hold my attention for 4 minutes. Is it well executed? Yep, pretty solid, I just dont think there is much of an idea there.

I directed this...shot on the BMCC/RED Scarlet. Cinematography by Adam Coleman, Edited by Bill Walton, VFX by Alan Smithee. https://vimeo.com/77362117

Prototype, but a good test https://vimeo.com/86669354 I KID I KID

DPX is just an image sequence.

Take your footage Edit your footage LOCK YOUR CUT some combination of VFX/Color depending on workflow simultaneously with the audio nerds. Yeah, you may have to do it all yourself, but dont stress where you have to do it. Do things however you are comfortable and can execute your idea best.

A story is good, but an idea is where this has to begin. In listening to the song, does anything pop into your head? A feeling? A specific shot? Does it remind you of a movie? I guess my point is, a story is the byproduct of some of that- so why paint yourself into a corner where you are...

I think bloody headbutts in the board room would have ruined the two worlds. It also would have undermined the joke with the old guy looking all pissy throughout and then celebrating the idea. I am very lucky to be able to collaborate with fun and talented people. We all work in...

Tribeca films ran an article too about the collaborative process: http://tribecafilm.com/stories/behind-the-scenes-big-data-ghost-cow-films-interview?pass=replyall

Ghost + Cow really value in camera effects, which is great, because I feel strongly that you get a better result with a mix of in camera stuff with modern compositing. Unfortunately, they had some issues with the prosthetics, so there was quite a bit of clean up and add ons and repairs to Bacon...

Glad its getting responses. People do realize the band is an entity that is not my post production company, or the production team right? When I was approached about doing some VFX and design, I was confused about it being Big Data too- then I kept reading the title of the treatment and it said...

I recently led a small team of VFX artists to help realize the ideas in Big Data's new video "Dangerous." Directed by New York's Ghost + Cow creative team, with color grading from The Mill, and an incredibly talented cinematographer in Paul McCarthy- I feel like a bunch of really talented...

Will Vincent, do you have a color grade reel? I would love to see some of what you have been working on!

Was this in terms of my smoke on mac comment?

Colorista is pretty good, I like it for those jobs where you really don't want to spend time conforming something. You can pull keys or use shapes for power windows. It is limited though. A huge step up from the 3 wheel color corrector. That said, if I really wanted to dive in and get creative...

The battery thing is obnoxious for sure, but I actually find the menus on the BMCC to be super intuitive.

No- its not a pocket camera. You'd be a BMCC4K user or something. Global shutter...drooooool.

If I downscale a 2.5k image to 1920x1080 it will be sharper than a 1920x1080 image wouldn't it?

False. The BMCC is, the POCKET camera is HD. http://www.blackmagicdesign.com/products/blackmagicpocketcinemacamera/techspecs