Hi all, I have 3 questions:
1. Regarding the Blackmagic Cinema Camera 2.5K, I think the crop factor on the sensor is about 2.3x. I read somewhere that because this camera’s sensor is small, it is very hard to get a cinematic shallow depth of field. This confuses me because I read that long...
Very good advice indeed.
I wonder why most camera companies do Super 35 and not Full Frame. Is it a reason because of cost? For e.g. why can't Panasonic not wake up one day and say "Hey, we are going to make a GH6 camera with a Full Frame". Why are companies not doing this on a large scale? Why...
I imagine the Micro Four Thirds system is not a bed of roses compared to full frame or quite near full frame I guess, especially where high budget feature films are being made.
Hello there, I am looking for the lowest cost camera (under $1000) in the used or new market with the below specs. It will be used to study still photography and cinematography:
SPECS:
4K or Ultra 4K
DSLR mirror or no mirrorless
Capable of recording video in RAW or at something slightly similar...
Consider the below scenario:
Two identical camera of the same brand and model are setup with the same lens (let us assume the camera is an Arri Alexa or Blackmagic URSA Mini). The two cameras are shooting next to each in an outdoor daylight scene. Both cameras are in continuous/steady...
I heard some good things about the WD TV; that is a nice process. Kudos to TVs that have the feature to turn off the soap opera effect. It is a pity some projectors don't have that feature. I am happy I have found a workaround by using my computer connected to the projector.
AcousticAl and sonnyboo, thanks for your replies to my original post. I lost hope when I did not get a reply and decided to amend the thread to ask another question instead of starting a new thread.
AcousticAl, the movies that I played on the home theatre unit as well as the Android TV box unit...
Hi there, regarding the Tokina 11-16mm zoom cine lens, I understand that this lens came first and eventually Duclos copied the concept and made their own which sells for about double the Tokina price. However I looked at test shots and footage for both lens on YouTube and note that both lens...
Davinci Resolve, the post production coloring suite software, now has the capability to edit video content. Let us assume one is editing a feature film in Davinci Resolve with all the dialogue tracks, foley, sound effects and film music score matched up nicely to the relevant areas with the...