Recent content by FilmOwl

I like this story. It reminds me a little of HP Lovecraft. Keep chipping away at it. Would love to see your completed work!

DM me! I would love to talk.

Please DM me! I have Adobe Premiere, Audition and animation experience and would love to chat with you about your ideas.

My name is Sean. I started an account on indietalk over 5 years ago. Recently returned to explore this forum once again. Pleasantly surprised that everything is much the same as it was. I live in Southern Missouri area. Currently searching for someone to collaborate with on production and small...

It's stand alone. Same characters, but it basically acts as a re-telling, or re-imagining of that dystopian world. You'll find that Furiosa is more the prominent character than Max, himself...

Watch Quentin Tarantino's movies and become a "people watcher". Observe behaviors, mannerisms, and natural conversation that occurs organically in day-to-day life. It has helped me with my dialog skills.

I'm using the Nikon D5300, so that's a very compact and portable camera. I'm equipped with a Takstar interview mic as well. Got a tripod, filter set, 70-300 SLR AND 18-55mm lens... Pretty much the whole works (Except for a good dolly system. I'm working on that).

Thanks for the input & suggestions. I may use both the plate/ratchet technique and the truck bed technique in the end. We'll see how it works out for the environment I'm filming in.

"No Country for Old Men" Instant classic for me. Spectacular script, cinematography, and acting. Javier Bardem's best performance yet. TLJ was also impeccable. 9/10

They seem to be ruining all of the classics for profit. There's a plentiful supply of talented, original screenwriters out there, but these greedy film studios are looking to capitalize on familiar names/faces. Pathetic, really. True Grit (2010) should never have happened.

I'm writing an original screenplay where I will need several potentially hazardous shots of characters driving down a street. Is there a safe and economical way for me to achieve that "hoodtop" angle without investing big $$$ in a professional-grade mount?

It's matter of convenience for me. For some, using the filter is redundant to the already-existing white balance. Depends on the conditions and the strength of said light. Different cameras respond differently to fluorescent filters.

Read the product description in the link I gave you. It basically renders more natural and saturated colors from your surroundings... It's very light-sensitive, whereas the CPL is for suppressing glare and darkening skies. It polarizes the wavelengths. Example - You're shooting in a warehouse...