• Wondering which camera, gear, computer, or software to buy? Ask in our Gear Guide.

Writing my first Screenplay for College

Hello,

I am writing a short film script for my college interview, I really do want to make a good first impression, and I have downloaded Celtx, to write it. However, I am sort of stuck writing the 'Second Act' of my story. Here is the story concept for you:

The film is called Fallout: Edinburgh, and is about a 25 year old man called, Robert Wallace, who has survived a nuclear attack on Edinburgh, by running to a bunker close by. However, when he was climbing down the ladder access, Wallace miss placed his footing and fell down the bunker, smacking his off the ground. This caused Wallace to go unconscious. When Wallace wakes up, he suffers from post-dramatic amnesia, and has forgotten everything from his past. Before the nuclear bomb hit Edinburgh, Wallace was able to pack a few things in a bag, these things include a picture of a girl (his wife), clothes, food, a revolver, and a passport. Wallace uses the passport to identify himself, but doesn't know who the girl in the picture is.Wallace goes out off the bunker, and finds the wasteland, which was formally known as Edinburgh. He begins to walk around looking for any other humans, and comes across some rebels. This is when he is introduced to Sgt. McKenzie, an ex-SAS sniper, who saves Wallace from being robbed, and killed by the rebels. McKenize decides to guide Wallace out of sympathy, and takes him to Edinburgh Castle, the ruins of it, where the British army has set up, to try help, and save citizens in the remains of Edinburgh. When Mckenize and Wallace arrive at Edinburgh Castle, Wallace is identified by the British army, and his national records are found on a database. One of the soldiers, ask where is his wife. Wallace has a flashback, and then remembers that this women is his pregnant wife.

After this I am stuck. My plan for the wife, was that when the nuclear bomb dropped, she was able to hide in a fridge (Indiana Jones style) to avoid completely getting destroyed. However, she came out the fridge at the wrong time, and the radiation turned her into a mutant, remember she is pregnant. She is then captured by rebels, and is put in a testing lab. She gives birth to the baby, while in the lab, and the rebel scientists are there to witness it, (they are also helping of course). When the baby is born, it is a mutant, but after a couple of seconds the babies mutations fade away. Scientists then begin to do tests on the baby instead, and discover that the babies blood is immune to the radiation mutations, and can help other mutants.

This is all I have thought of at this point, I haven't organised scenes, or anything yet, because the story is stuck.

Is anyone able to help me think of a Second Act?

Any help is appreciated,

Thanks,

Adam.
 
First make Wallace jump into the hole in the last second. Then make what you already have your story. Play with the scenes you have so far. Give Mckenzie another reason to help Wallace and use that.
 
I've seen a few actors with "post-dramatic amnesia"--that traumatic role they want to forget. ;) But I like your idea. This could be approached as a straight linear story (following forward in time) or with a non-linear approach nicely (starting just before the end and working forward then advancing to the conclusion).
Code:
LINEAR
He's helping to load a shelter when the siren goes off.  Cut to people
looking up and panicking.  Cut to a young pregnant woman frantically
looking about then emptying her refrigerator.  Cut to young officer,
Wallace, being swept by wave of people as other officers must shoot
some to close the hatch.  He falls.  ...

NON-LINEAR
Wallace is escorted by McKenzie into the castle.  McKenzie is called
away.  Wallace walks about looking at the hospital facility and nears
a window when a mutant looks up at him.  He turns away with revulsion.
A scientists comments and guides him away.  He meets a psychiatrist
who helps him piece together his past. ... Later, he recognizes his wife's
ring/tattoo/etc. on the "monster" being tested.
While the Three Act structure is the basis for both, it's sometimes more
helpful to not think of "acts" but in terms of transitions and elements.
What I'm going to talk about can be found at Michael Hauge's site: http://www.screenplaymastery.com/structure.htm

Act 1a - Set Up (introduce the characters and situation)
Act 1b - Introduce a New Situation and a Complication
Act 2a - Formulate a Plan of Action to Succeed (character throws self in headlong)
Act 2b - More Complications and Higher Stakes (usually a major setback)
Act 3a - Final Push to Succeed with it looking unlikely (suspenseful moment, climax)
Act 3c - Resolution and the Ever After

I would go through and put the elements of your story under the headings.

Act 1a - Set Up (introduce the characters and situation)
-- introduce Wallace and Mary and their struggles
Act 1b - Introduce a New Situation and a Complication
-- Wallace awakens with amnesia. Mary emerges and finds she's mutating.
Act 2a - Formulate a Plan of Action to Succeed (character throws self in headlong)
-- Wallace heads back to find Mary. Mary is trying to get to the hospital.
Act 2b - More Complications and Higher Stakes (usually a major setback)
-- Wallace is waylaid and rescued by McKenzie. Mary is mutating and starts
-- into labor pains. A militant group scouring for survivors captures her as a mutant
-- and takes her for experimentation.
Act 3a - Final Push to Succeed with it looking unlikely (suspenseful moment, climax)
-- Wallace begins to recover memories. Mary's mutation has gone too far.
-- The baby is born. But the scales fall away to reveal a human infant.
-- It holds the key. Mary is recognized by Wallace and she 'begs' him to kill
-- her but he cannot. The doctors separate Mary and the baby.
Act 3c - Resolution and the Ever After
-- She goes crazy and attacks. McKenzie shoots her. Wallace is reunited
-- with his infant daughter.

Okay, that's one possibility. You need to come up with your own. As for the
pragmatics, one page of formatted script is roughly one minute of screen time.
If you are writing a short, you probably want only 30 minutes or thirty pages.
How this might appear in a final linear draft is:
Code:
1a: 3 p.   1b: 5 p.       2a: 8 p.    2b:  7 p.        3a:  5 p.   3b:  2 p.
I am NOT saying to write to a page count. This is just a rough frame
to help focus and keep the script in a "short film" framework for your assignment.
Notice that the bulk of the story is in Act 2. Later, you could easily adapt this to
a feature length (90-120 pages) if you wanted.

Hopefully that gives some ideas about approaches to organizing your story idea.
Good luck with your assignment.
 
Back
Top