October 16th's New Yorker has an article in it called "The Formula" by Malcolm Gladwell. The log line is "What if you built a machine to predict hit movies?". Later in the article it becomes clear that all they need is a copy of the script in order to do it.
I can't/won't give you the whole article here but let me say it is very well written and I urge you to grab a copy.
They already predict hits in the music business. Check out a little consulting company in New York city named Platinum Blue. They've written a program that utilizes "spectral deconvolution software" that predicts if a song will be a hit or not before they release it. This is how Norah Jones got discovered.
The article tells the story of a group of men who do the same thing for movies. The two front men for the project are Dick Copaken and Nick Meaney. Their company is called Epagogix.
Take an arm full of scripts that passed the read test and pay to have them analyzed by Epagogix then throw away the trash and make the hits. They also claim that the software will tell you where a story is lacking and how to fix it. You'll still need a good writer to make it good but at least you know what direction to go in. All this from just a script.
My question to you is, as a writer, producer, director or studio exec, boon or bane?
I can't/won't give you the whole article here but let me say it is very well written and I urge you to grab a copy.
They already predict hits in the music business. Check out a little consulting company in New York city named Platinum Blue. They've written a program that utilizes "spectral deconvolution software" that predicts if a song will be a hit or not before they release it. This is how Norah Jones got discovered.
The article tells the story of a group of men who do the same thing for movies. The two front men for the project are Dick Copaken and Nick Meaney. Their company is called Epagogix.
Take an arm full of scripts that passed the read test and pay to have them analyzed by Epagogix then throw away the trash and make the hits. They also claim that the software will tell you where a story is lacking and how to fix it. You'll still need a good writer to make it good but at least you know what direction to go in. All this from just a script.
My question to you is, as a writer, producer, director or studio exec, boon or bane?