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The 1st 10 pages of your first feature

I was going through some old files and found the 1st ten pages of my first feature.
I would be interested to see the 1st ten pages of YOUR 1st feature, so please share.


FADE IN:

EXT.ALLEY-NIGHT

JASON FORRESTER (10), his little sister SIMONE (6), and THEIR MOTHER with a
split lip walk with determination.

SIMONE
What flavor are checkers?

JASON
Licorice.

SIMONE
Oh. But why we wearin' our
(yawns)
Ba-jamas outside?

THEIR MOTHER
For Christ sakes, I wish you two would shut it
long enough that I could think!

Jason and Simone look at one another as they continue to walk.

SIMONE
(whispering)
I think it's about Pizzed-Hoff.

Headlights appear at the end of the alley.
A car speeds toward them. They enter a backyard.

THEIR MOTHER
If he has the gun this time you find a place to hide!

JASON
Why is he doing this!?

THEIR MOTHER
Because that's the way it is!!

A CARLOAD OF TEENS pass. The Forrester's look relieved.
A VOICE startles them.

VOICE (O.S.)
Get the fuck outta my yard lady!

EXT.CHURCH {BACK ENTRANCE}-DAY

Jason and Simone hold brown paper bags.

THEIR MOTHER
You're lucky to be here, so you get your asses in there
and use the time to learn something, never you mind if
it’s Saturday or your fat aunt Tuesday, now go!

INT.CHURCH {BASEMENT GYM}-DAY

COUNSELORS preside over a squeaky clean YOUTH CONGREGATION.

MALE COUNSELOR
Jesus loves me this I know, but how?

YOUTH CONGREGATION
'Cus the good book tells me so!

MALE COUNSELOR
And who knows where the son of God lives?

Hands fly up as the kids vie to answer.
Jason & Simone,greasy hair and worn clothes sit hands down.

MALE COUNSELOR
You, the new girl there.

Simone whispers to Jason for a moment.

JASON
She says that freak lives over Fat Jimmy's liquor store
on Irving Park Road.

Mouths hang open on kids and counselors alike.

EXT.STREET {SIMONE'S MEMORY}-DAY.

Their mother drags Simone past a liquor store.
A MAN DRESSED AS JESUS holds a sign: "I died for your sins".

SIMONE
Who is that mommy?

THEIR MOTHER
Some hippie freak, now come on, and quit worrying who
every third person is!

MAN DRESSED AS JESUS
I am the son of God, the end of times is at hand, repent
repent.

INT.CHURCH (BASEMENT GYM}-DAY

The Male Counselor paces.

MALE COUNSELOR
Young lady, Jesus Christ the son of--

Jason jumps to his feet.

JASON
You ain't got no right swearin' at her!

MALE COUNSELOR
Jesus lives with our father young-man!

Jason looks at Simone amazed, then back at the Counselor.

JASON
If he's stayin' at your place, what the hell you
askin' her for!?

A PRETTY COUNSELOR walks before the congregation.

PRETTY COUNSELOR
Alrighty, since it's just about lunch time...
(beat)
Lets take out our lunches, and eat!

INT.CHURCH (BASEMENT GYM}-DAY

The Kids have lunch on gym mats.
FEMALE COUNSELOR #2 plays acoustic guitar and sings.
The Pretty counselor joins Simone & Jason with her lunch.

PRETTY COUNSELOR
Hi there, you have such pretty hair.

SIMONE
Hello. You got big boobies.

Jason closes his eyes embarrassed.

PRETTY COUNSELOR
(quietly-makes a funny face)
We don't talk about boobies at lunch.

Simone laughs. Jason sneaks a peek at the Counselor's chest.

PRETTY COUNSELOR
Later I'm going to give you each a good book to take
home and read. How's that sound?

SIMONE
Free?

PRETTY COUNSELOR
Yes of course.

SIMONE
Oh boy! You can't hide this one Jay-son!

PRETTY COUNSELOR
Do you have a good book now?

SIMONE
(nods)
I saw lots of booby pictures in there, but he hid it
real good.

JASON
Simone shut-up!

PRETTY COUNSELOR
Well, I think this book is going to be different, but
tell me, how ARE things at home?

She tries to examine a bruise on Jason's face, he pulls away.

JASON
What, at our home?

PRETTY COUNSELOR
Yes.

Jason averts his eyes and unpacks his lunch sack: A pork chop
wrapped in a paper towel, a can of Old Style Beer and a walnut onto the mat.

JASON
Fine. Why wouldn't they be!?

Simone looks in her lunch bag.

SIMONE
(loud)
I got Daddy's weed!

The guitar playing abrutly stops. Jason grabs the bag and points to Simone.

JASON
Don't you go ANYWHERE!

Jason runs out. Simone shrugs and grabs the pork chop.

SIMONE
I like the way you handle yourself Princess.

PRETTY COUNSELOR
(surprised/amused)
Is that so?

Simone chomps and nods, then reaches for the can of warm beer.

PRETTY COUNSELOR
Whoa, how about I split my soda with you?

SIMONE
Okay, that's sharing.
(beat)
Does them good books have pictures?

The Counselor exchanges her soda for the beer can.

PRETTY COUNSELOR
They sure do sweetie.

SIMONE
(mouth full-thumbs up)
Kick ass!

INT. APARTMENT {FORRESTER RESIDENCE}-DAY

JACK FORRESTER (40) pounds the table, at the sink Their Mom jumps.

JACK FORRESTER
So it grew legs and just waltzed on out the fuckin' door
huh?!

THEIR MOTHER
I don't know where it is!

The door opens to Jason out of breath with a weak smile.

JASON
Got the.. wrong bag this morning.

His father nods slowly as he stands and takes a beer from the fridge,
then slumps back down into his chair.

JACK FORRESTER
You people just LOVE doin' this to me, don't you?

JASON
I'm sorry I didn't mean for--

Jack jumps up knocking over the table and grabs Jason by the throat.
He pins him against the wall.

THEIR MOTHER
Jack!

JACK FORRRESTER
Everyone's a smart ass huh? Everyone thinks old Jack
here is stupid! Well let me tell you something, you
haven't got shit figured out!!

With a vicious smack Jason falls to the floor.

INT.DIME STORE-DAY

The STORE MANAGER tries to catch Jason as they circle a small aisle.

MANAGER
I saw you kid now come on, just give it up.

Jason shakes his head "No"

MANAGER
It's two days before Christmas, ain't you in enough
trouble already!?

Jason takes on a sad defeated posture.

JASON
Yeah.

The Manager exhales relieved and lets his guard down.
Jason runs out the door.

INT. WIDOW CRENSHAW'S APARTMENT-DAY

Simone sits with her new kids bible in her lap.
THE WIDOW CRENSHAW (60's)in an overstuffed chair wrapped in blankets.

THE WIDOW CRENSHAW
Where is that damn boy!?

SIMONE
The medicine store always takes a long time.

THE WIDOW CRENSHAW
Well when he gets here I don't want to be pestered with
your damn fool questions you understand!?

Jason enters.

THE WIDOW CRENSHAW
Where is it!?

He places a small brown envelope into her hand, she grabs him by the shirt.

THE WIDOW CRENSHAW
Anybody see you boy!?

He shakes his head "No."

THE WIDOW CRENSHAW
You stealing from me!?

Again he shakes his head.

THE WIDOW CRENSHAW
You two get outta my hair and keep quiet,
or you'll get it!

Jason leads Simone into a back room.

INT.WIDOW CRENSHAW'S APARTMENT {BACKROOM}-DAY

Jason takes a bag from under his coat and tosses it near an old sewing machine.
He tries to measure an excited Simone with a roll of tape measure.
He switches to holding up some white fabric to her.

INT.WIDOW CRENSHAW'S APARTMENT-DAY

The Widow cooks the contents of the brown envelope on a spoon over a candle.

EXT.ALLEY-DAY

Simone stands alone crying.
Jason approaches from down the alley with a paper bag.

JASON
You're not supposed to be in the alley alone Sprout!

Simone shrugs. In their garbage can a fully decorated X-mas tree.
In their yard broken dishes litter the ground.
A DOG licks one as NON DESCRIPT YELLING comes from within the house.

JASON
Did you eat?

SIMONE
Almost, but Salazar got that crazy look.

The Dog (Salazar) runs around with a pot stuck on his head.

JASON
Maybe they'll have food at the church.

She drops a broken Christmas tree angel to the ground.

SIMONE
Is daddy mad cus of me?

He picks up the angel and hands it to her, then struggles to lift so she can put
it on top of the bent tree.

JASON
No, that's just how beer is.

Jason looks at her for a moment as she looks at the angel on the tree.
He yanks the tree's light cord from the can and plugs it into an exterior outlet on the garage.
It lights up. He opens the paper bag and takes out AN ANGEL COSTUME.

SIMONE
You did it! You really did!

Simone hugs him tightly.

SIMONE
Can I put it on? Can I? I won't get it dirty promise!

Jason slips the costume over her head.

SIMONE
I feel like a movie star Jason!

JASON
Do you remember what to say?

SIMONE
Now I lay me down to sleep, I pray the Lord my--

JASON
Okay okay, you got it.

The Christmas lights begin to flash.

SIMONE
Come on you have to get a good seat!

Simone runs around the alley's corner.

SIMONE (O.S.)
Can we go look behind the liquor store 1st?

Jason turns to catch up. A CAR SLIDING ON ICE is heard then A METALLIC CRASH.
Jason rounds the corner and sees a car smashed into a garage door.

JASON
Did it scare you Sprout?

Simone is no where to be seen.

JASON
Come on quit playing or we'll be late.

From the front of the car comes Simone's faint voice.

SIMONE
Jay-son, I don't want to be in no trouble.

Jason runs to the car.
Simone lays pinned against the garage, blood covers her costume.

JASON
Simone!

SIMONE
(eyes closing)
I see the angel, it's so... pretty.

Simone's POV: The flashing Christmas tree.
Jason drops down besides her and strokes her hair.
In Simone's hand a crudely constructed Christmas card.

EXT.CEMETERY-DAY.

Jason, a PREACHER and his Parents stand at a small headstone.
The Preacher reads from a bible. Jason runs from the cemetery in tears.

INT. SHABBY APARTMENT BUILDING {HALLWAY}-DAY

Jason pounds on a door. AN OLDER WOMAN (60's)answers.
He tries to explain something lost to tears and lack of breath.
The Woman ushers him inside.

INT. SHABBY APARTMENT-DAY

She leads him to a chair, then opens a door and she speaks to someone beyond it.

OLDER WOMAN
Get up and get shaved it's time to stop all this non-
sense and get dressed! And I mean your GOOD clothes!

INT. SHABBY APARTMENT-DAY

From the door emerges THE MAN SIMONE HAD CONFUSED FOR JESUS, he is now clean
shaven and wearing a priest's outfit and collar.

He sits down at the table with Jason who is blank with grief.

JESUS/PRIEST
Son?

Jason looks up blankly.

JASON
I know you're not Jesus.

The Priest winces. Tears steam down Jason's face as he pushes
the crudely constructed X-mas card across the table.

JASON
But my sister thought you were, and that's good enough
for me you hear?!

The Woman embraces him as he loses it to deep sobs.
The Priest unties the card's red ribbon and unfolds the rough paper
revealing 2 nickels and a wallet sized photo of Jason.



-Thanks-
 
Hey, this is my first post on this site. I am a screenwriter from minnesota. This is the first pages of my first feature titled. The One Who Remains. Horror/Supernatural thriller

Int. Sanitarium-Day

CLOSE on large reel to reel tape recorder.

CLICK of the record button being pushed, the reels begin to turn. Camera pulls back to reveal

STAN LOGAN- mid 50’s grey, thin, cheap suit, fiddling with the recorder.

DR. LOGAN
(into the recorder)
Preliminary interview with patient 2761,
Rhys Collins. November 2, 1973.


Camera pulls back and we see Logan seated across a metal
Cafeteria table from

RHYS COLLINS, 19 Athletic, slim and
Trim, dressed in hospital sweats.


DR. LOGAN
So, Rhys, my name is Stanley Logan. I am
the doctor assigned to your case. How
are you doing this afternoon?



RHYS
Well, I am in here, so not good.



DR. LOGAN
Why is that Rhys? Why are you in here I
mean?



RHYS
I am alive, that’s why I’m in here.


DR. LOGAN
I don’t follow, please explain?


RHYS
I am alive, they are not. I tried to save
her, but she died too. I was a victim, but
their needed to be a fall guy and I was it.


DR. LOGAN
So you were set up, is that what you are
saying, Rhys?


RHYS
Not set up, just and easy solution to a
not so easy problem. Paint me as a
monster and make sure that the truth
never sees the light of day. It is my
fault though, I should have never went
down there.


DR. LOGAN
Down where Rhys?


RHYS
To the basement.

INT. UNDERGROUND RESEARCH FACILITY- TIME UNKNOWN

Footage is black and white, degraded, world war 2 era filmstrip-esque.

First person POV, eyes open looking at the ceiling. Fluorescent light overhead flickers.

Where are we? Who knows. We turn our POV to a dirty tiled wall. We look back to see a monster of a man in surgeon outfit, bloodied and sweat covered.

We looks down to see our feet, we are a man lying on a gourney bed. The bed begins to move out of the room and down the hallway.

INT. FACILITY HALLWAY
The bed moves passes a surgical room, inside the room its filthy a pool of semi dried blood is beneath the large metal surgical table, instruments strewn about.

A LOUD METALLIC CRASH breaks the silence, until this point there has been no sound at all.

An emaciated naked man, bleeding from a fresh wound in the chest, sprints out of a room and down the hall. Closely pursued by a surgeon. The surgeon tackles and stabs the man.

Now that the silence is broken, the moans and cries permeate from the backround.

They continue down the hallway. In the next room the pass there is a man with open sores all over his body and a surgeon is holding a large syringe and he moves towards the man.

CLOSE on the needle driving deep into the mans sore. We turns our head back to the ceiling immediately upon seeing this. We look down the hall past our feet, and sees large double doors at the end.

The bed blasts through the double doors. The room is intensely hot, the camera momentarily distorts.

INT- INCINERATOR ROOM
This is the incinerator room, there is a man the size of a volkswagen piling body parts into the incinerator. Violently the man whips his head and meets the our gaze.



Int. Rhys bedroom- 3 AM

A strong midwestern storm is crashing outside. The lightning is flashing constantly its nearly as light as day. Rhys awakens with a jolt from his nightmare.


RHYS
Damn, that was far out.

Rhys looks at the clock. 3:17 am. He heads to the window and looks out over the lake, a glass breaks downstairs. Hairs raise on the back of his neck.


Intruder
Shit.

Rhys grabs a golf club out of the bag near his door. He opens the door and steps into the hallway.


INT-HALLWAY
His father is snoring hard in his room across the hall. A light is faint downstairs. Rhys looks both ways, contemplating his next move.

He starts down the stairs, slowly, and quietly. A step creaks beneath his foot, Rhys freezes in fear. Was he heard? His heart is beating so loudly its may give him away.

He can see the kitchen and someone bent over in front of the fridge. Rhys makes his way into the kitchen club poised to knock the intruders head off.

The intruder spins around, startled he drops the plate of food in his hands.


BOTH
Whoa!


RHYS
TATE!!! What the hell are you doing here?
I almost killed you!


TATE (21, tall, thin, sandy blonde)


TATE
Damn, little brother.
(beat)
I finished classes early, I talked a few
professors into just giving me an A and
letting me go.


RHYS
Oh yeah? How?


TATE
Teachers don’t make that much.


RHYS
Don’t you ever get sick of throwing dad’s
money, big shot?


TATE
Never. How you been man you look like
hell.


RHYS
Oh, I just had a nightmare.
(beat)
and its 3:00 am.


TATE
I guess. You still getting nightmares
huh?


RHYS
Yeah, but this one was different, forget
about it. Why are you home so late if you
done early?


TATE
I can’t come home with out stopping of to
see Steph first, she would kill me.


RHYS
You’re a dog, man.
(chuckling)
I am going back to bed. It’s good to see
you bro.


TATE
Sleep tight little brother.

INT. kitchen- AM

Rhys comes down the stairs to his mother,

ILSA (44 blonde, petite, very perky)
running frantically around the kitchen; cooking a feast for her just returned son.


ILSA
Rhys, honey, grab a plate.

DING! Alarm on the oven sounds.

ILSA
OOOH. Carmel rolls are done.

Ilsa rushes to the oven and pulls a pan out of the oven and flips it upside down onto a plate, revealing delicious looking rolls.

ROBERT-Rhys father 46 salt and pepper hair, thin, toned.

ROBERT
Hey Rhys, check it out, Tate came home
last night. He finished school early!
All A’s!! And he is breifing me on the
plans he has to take Collins Logging, into
the Collins Timber Company! Can you believe
that, Timber Company! You should take
lessons.


TATE
Come on dad. I already talked to Rhys
last night. Hey Rhys, lets go fishing after
breakfast. I hear you got some new
equiptment.



RHYS
Sure man. Let me grab my camera and we
are golden.

EXT. FISHING BOAT - DAY


It is a bright sunny day, there are no waves out on the lake. The fish aren’t biting.


TATE
So man, how are things? What have you
been up to? How are the parents treating
you?


RHYS
Not bad, actually me and dad got into a
huge fight last night.

TATE
College?

RHYS
Yeah, they want me to go to the U. You
know, “I worked to hard in this country to
make it into college, and to be able to
send my boys to the same college I went to”
speech. That is your guys’ path not mine.
I mean “Collins Timber Company”. Come on
man that’s not me.


Tate
You are smarter than me. I could use you
to bring us to the top, I don’t need you,
but I could use you. After I am done,
Collins Timber Company will be an empire.



RHYS
See, that’s your thing man, I am going
to be great too. Just as a photographer.


Rhys grabs the camera out of its case and winds the film forward.


TATE
Do it man, screw the parents you got to
follow your own dream. Its your life
after all.


RHYS
Yeah you’re right.

Tate muggs for the camera, and Rhys takes a photo.

INT. LIVINGROOM- DAY

Robert and Ilsa are huddling on the couch. Ilsa has been crying, there is an open envelope on the coffee table. Ilsa sits up straight and wipes here eyes in effort to hide the fact that she has been crying.



ILSA
Rhys, honey, sit down.

RHYS
Why? Whats going on?


ROBERT
Just Sit.

Rhys sits on the chair near the sliding glass door, and Tate stays standing but leans against the glass.


ROBERT
Son, a letter came today when you two
were out fishing.

Ilsa Cries.

RHYS
(nervous)
What kind of letter?

Robert hands Rhys the letter, Rhys unfolds it, reads it for a second. The letter falls to the floor.

RHYS
(repeating a line from a movie)
It looks like I am an Army Man and they
are going to send me to Vietnam.

Ilsa crys hard again, Tate slides down the glass and on to the
floor. Robert gets up and goes to his son, he puts his hand on his shoulder.


ROBERT
Rhys, calm down, remember that Johnson boy
Dirk, I think his name was. Anyway, he
got sent to Europe, the only time he fires
his gun is on the range. I am sure you
won’t get sent over to that hell hole.


RHYS
Whatever dad, this just says I have set up
a meeting recruiter and decide a location
for boot camp.

Ilsa wails.
Fade out.


INT. BUS-DAY


Rhys is riding on a military transport bus, shuffling through the quaint little Bavarian mountain town of Garmisch Germany. The town is a parody of all the stereotypical Bavarian town.

The bus passes large estates, hotels, shops, pubs, and churches. Along the side of one of the churches there is a woman dressed in black mourning over a fresh grave. This catches Rhys gaze immediately he turns his view to the back of the seat in front of him.

The bus comes to the end of the main road at the edge of town and on to the grounds of a large palatial estate. This a large hotel that has been turned into a base and is currently occupied by the US Army. The hotel has a tarnished look to it. The bus stops out front near a large pool that has a fountain in it.

Rhys steps of the bus with his bag over his shoulder. He stands in awe for a moment while he soaks the place in. He walks into the front door.




INT. BASE LOBBY-DAY

The lobby of the hotel is grand, ornate,with marble floors. The walls are covered in beautiful tapestry. There is a large fireplace hearth on the wall opposite from the check in counter. Above the mantle is a large stone carving of an eagle.

The bird is large and proud, the claws of the bird are destroyed along with the area below the bird, its obvious that it was once a Nazi symbol. Obviously the Americans aren’t the first inhabitants of the base.

CAPT SHAPIRO(Tall muscular, salt and pepper hair, italian in appearance career armyman, cocky)
enters from an adjoining hallway.



CAPT SHAPIRO
Collins.

Rhys jumps to attention


RHYS
Sir.

CAPT SHAPIRO
At ease private. Welcome to “The Lodge”.
Be glad you’re here and not in that
swampy hell hole in ‘nam.

Shapiro motions to the defaced eagle.


CAPT SHAPIRO
See that.


RHYS
Yes, sir.


CAPT SHAPIRO
You wonder why that is still there?


RHYS
Not till now, sir.


CAPT SHAPIRO
Oh, we keep that around sorta like a
trophy. See, when we took this base from
the krauts, Major Alvin Mewes made them
destroy their own symbol with the smallest
hammers we could find. “When they are
down embarrass em” That was Mewes way.
That man is a role model, it makes me so
proud I’m gonna cry if we don’t get out of
here quick.

Shapiro leads Rhys down the hallway.


CAPT SHAPIRO
You are going to be the new night medic on
duty, which basically means you don’t do
much ‘cept make sure the place don’t blow
up while the rest of us are sleepin. You
will have an ambulance driver. He arrived
yesterday. He is your bunk mate so get to
know him, cuz you will be spending a lot of
time together.

Hall opens into a large caffeteria


CAPT SHAPIRO
This is the mess hall, opens 0400 and
closes 1930. Food sucks but you learn
to love it.

Continues down the hallway.


CAPT SHAPIRO
Barracks are the upper levels, latreens
are everywhere so keep ‘em peeled. MP’s
are in the guard house near the entrance.
You passed em on the way in. If you need
to talk to them for any reason, the number
is on all of the phones. You will work
Monday through Friday and be on call every
other weekend. That doesn’t mean much
because nothing happens here. This is the
medic station. Report for duty at 1800 and
you will be relieved at 0600. Through that
door is the garage and the ambulance is
in there. Everything you will need is
in there so that’s it for the tour. Any
questions?


RHYS
Uh, yeah, what happened to the last
medic and driver?


CAPT SHAPIRO
Like I said, the job is boring. The last
two had an “episode” and got a one way back
to the states. That it?

RHYS
One more, why did you call this place “The
Lodge”?

CAPT SHAPIRO
Those jealous bastards in the jungle say
that we are on R&R detail at a ski lodge.
It stuck and we like it.


Turns to the office


CAPT SHAPIRO
GRIFFEN!!!!


GRIFFEN(petite brunette 23ish gorgeous) runs out from the office and jumps to attention.


GRIFFEN
Sir!


CAPT SHAPIRO
Show Private Collins to his quarters.

To Rhys
CAPT SHAPIRO
Welcome to the lodge.

Shapiro turns and leaves with haste.
 
Last edited:
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