Story board artists (Unpaid/Profit Share)

‘fIXers’ (www.fixersthemovie.co.uk) is the second feature film from Modern Life?, the follow up to the now available ‘Left For Dead’ (www.left4dead.co.uk)

Hamilton is a corrupt cop who, with his team of ‘fIXers’, relentless target criminals for their own gain. But when one ‘fIXer’ turns to internal affairs and is brutally killed by the team, it isn’t long before his wayward brother and a dedicated IA officer begin a bloody, action packed revenge on the team.

We are looking for a STORYBOARD ARTIST to work on this project.

Ideally you will have some experience or will be a graduate/student looking to get involved on an exciting project with the required design skills. You will be working from notes & shot lists. The ideal applicant will be working from home and have the ability to deliver materials electronically.

Your work will be used both on the production and for promotional purposes such as DVD & Internet.

This is an UNPAID position however this may change depending on the finance that is secured. We will cover expenses and hope to be able to offer some form of profit share. In addition there will be various other benefits available.

The film is being produced in association with legendary producer David Hannay (‘The Man From Hong Kong’) and has sales & distribution attached as well as two highly experienced LA based Executive Producers acting in an advisory capacity. Despite these attachments we have a minuscule budget, which is be spent on equipment, expenses and postproduction.

The film will shoot (provisionally) in April for completion late 2006/early 2007.

Interested? Email samples to phil @ mod-life.com (1.5meg MAX)

For more on the film check out: www.fixersthemovie.co.uk
For more on us check out www.mod-life.com
‘Left For Dead’ is now available from www.store4dvd.com

Please note we are NOT looking for any other cast or crew at the moment and will delete all other applications. We operate boxtrapper Spam Trap so you may be required to verify your email.
 
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