Congrats!
But don't be a tech tease - How'd ya end up doing it?!
Did you figure out the magic combination? What was it?
Did you say "Screwit" and settle for something close enough? Wha'd you do to get that?
What did you try that failed and what did you observe with those?
Data! Data! Need more data!
Damn, good point.
Thanks to the advice from you good folks we left the FPS at 24 and did some big time testing with the shutter speed, aperture, lighting and camera positioning. We changed the ISO as needed.
We were shooting with:
- Canon 6D
- Sigma 24-70mm f/2.8
- Various lights - softboxes and LED, and stands
- Other gear: 2 x field monitors (sooo helpful), Fluid Head tripod etc
- Audio - none captured during scene (Foley will be done later) [good tip from Alcove Audio above - banked for later]
Back lighting was not a possibility (damn!) due to the small size of the shower, it's location, our (limited) gear.
Probably our best footage was taken hand-held, I was standing on a bedside table (our improvised mini-ladder) near the ceiling looking down on the shower facet and the talent lying in the shower's basin - you could really see the water streaming out of the facet, hitting the talent etc. I wedged my arm around the shower rail to minimize camera movement. Shot using shutter speed of 50, aperture 5, ISO 250. Being right next to the water source (the facet) helped hugely and the angle looked pretty cool. We also adjusted the water's direction to hit the talent in the face (previously it hit her chest) - you could much better see the droplets hitting her face, cascading down etc.
But we also got good footage with higher shutter speeds and lower apertures (2.8 was the most open we could go). As you folks noted, it's a delicate balance of lighting, camera positioning, shutter speed, ISO and aperture.
I wish we could have tried some back lighting too.
Shooting from the ceiling looking down was a damn cool angle though, and the footage reflects that. Would not have happened without the advice here on IT.
