Hey everyone,
I`ve been ramping up on prep for assistant editor work on a low budget feature shoot in a few weeks. We`re going to be shooting with 2 cams the majority of the time.
On previous shoots I`ve seen both cameras slated with just one slate, and given the same camera set up. So both camera are 24E, for example.
I wanted to check on the script supervisor end of things, if most scripties tend to give separate logs for each camera. AKA, lined script pages for A cam, and a separate script page/logs for the B cam, as they would be both covering different actors and such.
Script supervisor has not been hired quite yet, and I`ll ask him/her also, but I wanted to see how it was done in other`s experiences.
Thanks
I`ve been ramping up on prep for assistant editor work on a low budget feature shoot in a few weeks. We`re going to be shooting with 2 cams the majority of the time.
On previous shoots I`ve seen both cameras slated with just one slate, and given the same camera set up. So both camera are 24E, for example.
I wanted to check on the script supervisor end of things, if most scripties tend to give separate logs for each camera. AKA, lined script pages for A cam, and a separate script page/logs for the B cam, as they would be both covering different actors and such.
Script supervisor has not been hired quite yet, and I`ll ask him/her also, but I wanted to see how it was done in other`s experiences.
Thanks