I think we understand perfectly what you're trying to communicate to us. At least I do. My whole audio approach of a movie completely changed in the last months, and every time someone approaches me with a plan to shoot something, my first question is "what did you plan for sound ?"
It's just that I've seen today a speech from Robert Rodriguez whose special skill is dividing the budget by 8 and as a guerilla filmmaker I tend to think like that too. I don't want to spend money on an ADR session (how much that costs ?) for a sound that doesn't change much. I know that every bit of sound is important but filmmaking is about compromise.
It's just that I've seen today a speech from Robert Rodriguez whose special skill is dividing the budget by 8 and as a guerilla filmmaker I tend to think like that too. I don't want to spend money on an ADR session (how much that costs ?) for a sound that doesn't change much. I know that every bit of sound is important but filmmaking is about compromise.