While more people are probably listening with the type of setup you described, there are quite a number of smaller niche groups, which when added together would represent a very significant percentage which could easily notice some or all of the points I made.
Agreed.
But for no-budget direct-to-youtube productions the law of diminishing returns suggests as long as a single deviation from the mean is satisfied "good enuf = good enuf."
(Queue APE's dismay/groan!)
[I've seen] a film's screening stopped and the film pulled after less than a minute and I've also seen the audience all shouting in unison to turn the volume up (or down) or just walking out! The higher tier film festivals will often test a portion of each film in a screening room before the festival and ask the filmmakers to fix the problem or simply reject it for screening.
Crazy how some people run their festivals.
you'd think these things would have been figured out before taking people's money at the door.
That's two different questions!
Yeah, I'm bad that way.
All you need for basic calibration is an SPL meter... Without an acoustically treated room, you're not going to achieve any sort of even vaguely accurate calibration but it's got to be significantly better than not calibrating and having absolutely no idea at all!
Makes sense.
TY.
Acoustically treating a room is another matter entirely...
Understood.
Completely.
You shouldn't, is the short answer!
I would be prepared to try and create a *relatively* simple explanation here on IT, but it will take a bit of time and I'd only do it if there were actually some demand for this knowledge?