There is nothing that turns me off more than checking my favorite
forums and seeing a new person asking me to view and comment
on their movie. A filmmaker who doesn't bother to join in on any
discussion of the forum or even ask about the films of the other
filmmakers.
I rarely see a new person come to a forum and say, "I'd love to see
and talk about your work." - it's always "I'm new. Please look at and
discuss MY work."
I'd like to ask you guys, how do YOU find the work of other filmmakers
like yourself?
mdifilm mentions creating a following. How many filmmaker are you
currently following?
I hope you see my point. Everything you say is valid, but does it actually
work? As filmmakers we are always looking for that following, we are
always hoping that lots of people will find out movie and buy it. But do
WE find, follow and buy films from other filmmakers? If we aren't the
market, who is?
SonnyBoo is great at posting on forums and internet marketing. How
many of you bought a copy of "Horrors of War"?
So, to respond to your question of how many people one had 'followed' other filmmakers? I'll be the first to respond.
To name a few: some IndieTalk members, and other forum members, Mike Conway, Peter John Ross, Christian Viel, late Neil Frederick, Steven Lebed, Al Leong, John Sheetz, Ray O'Neal, Bill Johns, Chayden (from batmanfanfilms), Neil, Eric, Thomas Gallagher of UK, Peter Field, Peter Sampson, almost all the Cleveland filmmaker yahoogroup members (300+ members on our list who post all the time), Bob Kuzman, Clive's blog (or I wouldn't have posted questions), Ted Sikora, Bob Gray, Ron, Mark Hamil, Marc Moser, Mark Bosco, Robert Banks, David Litz, Bill Laufer, Captain of Wreck Beach with his once in a while video post, a few others that when emailing me privately, people from dvxusers.com forums, people from myspace friend pages (all of my pages), people from facebook, people from tribehollywood, people from dv.com forum, other boards, hmmm, oh yeah, those who I got emailed from checking references of my sales rep and somehow I started learning of their success, filmspecific.com, and when I go to film festivals, I get to meet other indie filmmakers and we continue our communication, so, yeah, I think I can be very safe to say I did it and it worked.
I also have privately talked to many filmmakers to learn about their marketing stragety and distribution techniques and what worked at film markets, learning from what they did right and wrong that helped me with my current done feature film. So yeah, the indie filmmakers HELPED me to prepare for my film but... they not necessarily is your market...
In addition to be participating at filmmakers' forums, I am also at many other forums (cellphone forums, beta tester groups for software plug ins) - which is why RedGiant Software donated a bunch of their software plugins for The Rapture's usage, theatre groups, nonprofit org. etc. and I always keep my signature stating I'm a filmmaker and link to my pages, and surprisingly, they also draw a lot of interest, and more surprisngly, they are the one who buy my movies.
When I said go to forums and network, I am refering it to NETWORK and not to do a drive-by-posting, I do agree, I myself also hate that.
Also, the reality of 'our market' is not really the other indie filmmakers, because we are too critical of anyone's work, but our market is really, the audiences that will help you financially, the audience is what I would say, the people (or all the people) your film is marketed for. If you really want to make a movie and have the movie out to the masses, your target should be narrowed down to the type the movie is for, and how to get the audience to spread the word, but not necessarily to other independent filmmakers, BUT they are good to give you their POV, yet probably (80% of them) will not help promote you because they also need to promote their own movies, so you gotta look at the bigger picture on what are the way to 'spread' ur film out.
As for buying or having other indie films... I have plenty, I rarely buy them, but I trade with them, when I started to get some noise and good festivals run with my short film The Chase and on with A Joker's Card and now with The Rapture, I trade my films with others. A Joker's Card in particularly, was given away over 3000 copies (and we sold about 200 so far).... With The Rapture (which already sold to 3 territories and 5 pending now), I'll be giving to first the cast/crew and then to filmmakers that I've traded with (and so far, since 1 month ago, we only had sold about 25 copies based on small posting at indie forums and mainly word of mouth) As for SonnyBoo's HoW

I have, and still keep, all the versions he gave me, because someday, they'll cost millions

And so with Mike Conway's Terrarium (or now War of the Planets), Recon 2020 etc. I have very much rented a lot of films from Hollywood Videos that are independently based to see how/why they were distributed. I also buy a lot of foreign films from yesasia.com and other sites to learn how they did their films in a cheaper budget based.
Albeit, you are right, many newcommers' first post is "Hey, I made this, come check it out" or "Hey, I am giving a lecture, come to it" or "hey I have a great script tha will make millions, who want to shoot it?"
Johnny Wu
EDIT: I need to emphasize a bit on this: Having the biggest name out there all over the world doesn't necessarily means you are going to get everyone's support to buy or rent your film. However, by branding, you made yourself an "authority' figure and that by that along, will eventually HELP you in the long run.