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first two pages, any advice?

well, it's been a while since I wrote a script (Been working on tons of Music and writing Short Stories)
but I recently had this awesome idea strike me for a film and being a film student, I am so eager to start working on a either a feature or short. I just want to know what your general feelings, advice, opinion, etc... would be on the first two pages of this script. It's called Pop Culture Decay. I won't let on too much about the story and details right now. Just want to know if it is grabbing the reader as I imagine it myself.

INT. TATE’S ROOM - NIGHT
OUT OF FOCUS this room is tinted in neon green illuminating from each wall- walls covered in vast arrays of posters displaying the obscene and grotesque and all of their favorite rockers- in fluorescent tubes. The cheap tubes of light, FLICKERING. Three males, teenagers, were reclined in rickety office chairs. They resembled drugged up zombies in a decaying state of existence. One of them, wearing a death metal T-shirt, black Mohawk standing at least 6 inches perpendicular to his scalp in a thin sliver, is preparing something on a coffee table. Covered in gooey stains, pornographic catalogs of magazines and comic books. He is making a fix of drugs, on top of a heavily used copy of the Tibetan Book Of The Dead. The other two either watch impatiently or nod to ear piercing sounds of Metal drone. SLIPKNOT or something is playing.

Now all participants in frame, we see, too, that there is a girl laid out in a drug induced numbness. Her pale skin is covered in self inflicted scars. She’s wearing a trendy Gothic Mini-Skirt. Her face is a canvas of makeup, black makeup. Well worn down pair of black High-top Converse All Stars decorated in pentagrams. Her hair is also a Mohawk, but it isn’t gelled up, it just hangs about. Her breasts are large, clearly seen by the form of them, even through her ridiculously tattered Graphic T-shirt adorned by a ripped up design of an upside down pentagram.

TATE
Hurry the fuck up, Syntax.
The boy preparing the fix has finished. He chops it up finely with a rusty razor blade. His name is SYNTAX, the girl on the floor is TATE. The Asian emo looking boy in the chair, changing the song, is SCALE. And the one nodding off is VULTURE.

SYNTAX
Shut up, it’s done
(looks over to Tate)
C’mere

Like a puppet, she RISES. STUMBLING over to Syntax, she snorts up two rails, one for each nostril.
THRU HER EYES: Everything becomes WARPED. Syntax is looking her in the face, he is saying something, the high is so INTENSE she can’t hear anything. Like a wishy-washy wave, sound, slowly returns. She catches the tail end of his sentence and it’s all she needs to hear.

SYNTAX
You ready?

Syntax snorts up two rails and pounces on Tate, he flips her over and holds her face down into the couch as he thrusts in and out of her.
FOCUS ON: Tate, her eyes, her expression. She isn’t exactly there anymore.
Scale and Vulture do rushed lines of this strange drug and they soon take turns fucking Tate. One after the other.

The music wavers, everything is seen through a drug induced view until it finally fades.......

INT. TATE’S BATHROOM
The FRAME resolves issue with focus. Tate is hovering over the toilet, face FLUSTERED. She’s PUKING. HEAVING.
 
I understand that you will be directing this script. But
it might be good practice to write in standard style - no
mention of the camera. Just as practice, of course.

Right now this doesn't grab me. I've seen this opening in
dozens of student films.
 
yea, I always write in Shooting script mode since I am the director, it's helped out tenfold in the past. I have no interest in selling my scripts, giving them away or anything of the sort. The thing I had difficulty wording is the atmosphere I am going for. As a musician, I want it to be very rhythm paced and for that Neon Light to be the MC of the scene. and it's not cocaine or heroin they're doing. It's a new synthetic drug with various names.
I want it to LOOK like what they see. Antichrist comes to mind here when I envision the intensity the senses play and Enter The Void comes to mind in regards to warped vision.
 
Alright, just read it.

I just want to know what your general feelings, advice, opinion, etc... would be on the first two pages of this script.
Fine for pulp fiction print reading.
Going to be terrible to cast and shoot, but YMMV.

Three druggie teen males gang raping a drugged out female teen "Her breasts are large, clearly seen by the form of them, even through her ridiculously tattered Graphic T-shirt adorned by a ripped up design of an upside down pentagram." frankly isn't my cup of tea for entertainment, short or feature.

The Toxic Avenger had better burst through the door before druggie number one gets "done."
 
I always write in Shooting script mode since I am the director, it's helped out tenfold in the past. <snip> The thing I had difficulty wording is the atmosphere I am going for.

Understood. It makes for a difficult read. YOU are getting the
visual feel YOU understand for when you are on set and in
the editing room. I do not get that because I'm not in your
head. As a reader of the script I am only responding to what
is written - not what is in your head as director.

And for clarity; I was not taking about page format. I assumed
you were using software - I was talking about writing style.
 
Understood. It makes for a difficult read. YOU are getting the
visual feel YOU understand for when you are on set and in
the editing room. I do not get that because I'm not in your
head. As a reader of the script I am only responding to what
is written - not what is in your head as director.

And for clarity; I was not taking about page format. I assumed
you were using software - I was talking about writing style.

I know, I was just saying that's the difficulty I am facing with this one. I want to be able to better convey the images in my head.
 
And that's why I suggested that for practice you write in the
standard screenplay style. Get it out of YOUR head and convey
the images to someone reading the script. Couldn't hurt. Might
help.
 
And that's why I suggested that for practice you write in the
standard screenplay style. Get it out of YOUR head and convey
the images to someone reading the script. Couldn't hurt. Might
help.

I'm going to give that a go and see how it comes out. Thanks!

You should be able to export from Final Draft 8 to a pdf, then copy & paste to this board w/out losing formatting.

And I agree with directorik that it's like the opening of dozens of student films.

I'm already back at the drawing board. Definitely DO NOT want to be like anyone else.
 
Well maybe if you give us a picth of the story... right now, I feel like it's a drug movie who wants to be different but is not. Therefore, it just becomes pretentious.

it's about the senses. Concept Driven to the fullest. Tate is the MC and is a broke junkie, she eventually breaks free from drugs and when her mind gets clearer, so to, does everything else in her world. She discovers she has heightened abilities and telekinesis. We see hints of the abilities during the drug use, but it's not clear. The telekinesis doesn't come until very late, when the group of scum she was hanging out with in that scene I shared, come to kill her.
 
You're committing a lot of screenwriting mistakes common to non-pro screenwriters.

Eg you have verbose descriptions (most pros - not all - try to write tight). You're also using past tense and passive voice where you should be writing in present tense and active voice. Camera direction should not be included. And do the page/pages sparkle - draw you in, make you want to read more?

Stay in Present Tense and Active Voice
http://reelauthors.com/script-analysis-coverage/stay-in-present-tense-and-active-voice.php

Keep Descriptions Brief and Tight
http://reelauthors.com/script-analysis-coverage/keep-descriptions-brief-and-tight.php

Screenwriting is Not Novel Writing
http://reelauthors.com/script-analysis-coverage/screenwriting-is-not-novel-writing.php

Read as many pro screenplays as you can. Also spend some time at:

http://johnaugust.com/

Too many amateur film makers have poor scripts (poor stories, bad dialogue etc). Learn the art of screenwriting - your films will be so much better for it.
 
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