Third draft in progress.
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I agree. Some of it is already hinted at in the first and the last scene but it needs to be actually shown. It needs a new opening scene before the current opening scene.more to develop their relationship, what happened before this
Yeah, I was unsure of it myself. I came up with it quickly to replace a more out there science fictiony ending I had in the outline. I have since come up with a new ending that is IMHO way more awesome.The ending felt predictable and a bit disappointing.
For an action film? The description of the gunfights were too wordy or was there too much gunplay in general?I think there was too much gunplay description.
Yeah, it started off as just some practice action scenes. I discovered the actual story as I was writing it. Hopefully the next drafts will feature it more prominently (if this thing is worth salvaging).It felt more like a segment from a movie than as a short.
It's supposed to be helicopter like so I used the naming convention of Russian helicopters. I didn't know 26 was taken. I'll change it to something else.The opening was a little confusing to read - you may not want to call the spaceship an Mi-26, this being a type of helicopter. I was wondering how it could be flying outside the planet's atmosphere..!
Will be addressed in the next draft.I didn't get that the stand-off was in a vacuum until it was said later - that would help to be directly told to the reader. Also, would there really be a stand-off in that situation? If they are basically clones, "bred for war", why would they hesitate to shoot - especially if they were also wearing power armour?
Yeah.The dialogue is way too direct - and there's not enough of it. They shouldn't say 'I was in prison', 'you left me there', 'they said they'd let me go', etc. What they are saying is what you are trying to communicate - but not what they should say.
True, needs some sort of a save the cat scene in the beginning plus more back story. I wrote the action scenes first and then tacked on some story elements to the first and the last scenes to justify them. I'll try to make the next draft more character based.Also I didn't particularly care about them - FantasySciFi is right, you need to be invested with characters to care what happens to them. Otherwise action scenes are just empty - what reason is there to root for Anna and Victor over the union soldiers? We've only heard 3 utterances from each of them.
Thanks.
It's supposed to be helicopter like so I used the naming convention of Russian helicopters. I didn't know 26 was taken. I'll change it to something else.
No, it's in space. I meant that the design and purpose should be modeled after Russian Cold War era helicopters. Sort of like the dropship design in Aliens is inspired by Vietnam war era US helicopters.Which atmosphere is it flying in?
You're a very visual writer. That is a good and bad. It means you picture the action as you write but it also means you include too much. I tend to be a visual writer also, so I am always going back and taking out details that don't need to be there in scripts I'm not going to shoot myself. It shows promise but will need to be polished.Nothing positive? That makes me a sad panda. Anyway, you made some solid points. So, thanks.
Agreed.I agree. Some of it is already hinted at in the first and the last scene but it needs to be actually shown. It needs a new opening scene before the current opening scene.
You need to find a balance. It's too detailed.For an action film? The description of the gunfights were too wordy or was there too much gunplay in general?
A pair of Barracudas launch from the frigate and chase after
the fleeing spacecraft.
The Black Bear maneuvers skims the asteroids to evade the
closing Barracudas.
They pursuers open fire with their rail guns.
Some of the bullets pierce the skin of the spacecraft.
INT. MI-26 - SPACE
Alarms go off inside the cockpit. The ship shakes violently.
Sparks and smoke fill the air.
EXT. SPACE
The ship races towards a hyperspace gate at the edge
of the ring.
The lead Barracuda gets a missile lock and fires.
The black bear deploys flares and barrel rolls around the
space train.
The missile hits the train. A flameless explosion sends
train shrapnel everywhere, splitting it in two.
The Barracudas launch more missiles.
The Bear does evasive maneuvers and deploys countermeasures.
The missiles leave near their target for an imminent impact.
Full after burners kick on, outrunning the missiles to the gate.
The Black Bear crosses the event horizon of the hyperspace
gate.
The out of control front section of the space train
collides with the gate.
The gate disintegrates and the event horizon closes just
before the missiles have a change to cross it.
Yeah, it started off as just some practice action scenes. I discovered the actual story as I was writing it. Hopefully the next drafts will feature it more prominently (if this thing is worth salvaging).[/code] It's not bad. It just isn't a story in itself. It is just a visual piece of a larger story. All I can comment on with what I see which is a snapshot from a larger vision.
There are formating issues. Dialogue is often a challenge. In this case, I think you need more of it in the beginning to develop your characters. It just needs some additions and polishing. No sad panda.How's the actual writing? (Formatting, language, amount of description etc.?)
Yeah. I went a bit overboard with detail in those scenes. Thought I could get away with it since it's not really meant as a blueprint for a film but just a literary work.It's too detailed.