Yes, shooting digital does have the white balance advantage. However, if you have two different colors of light (unintentionally, not because you wanted it that way), it can be difficult to reconcile. For example; I shoot the interior of homes for a realtor (the most boring work in the world, but it pays some bills), and if I need to light the interior during the day, the discrepancy between the daylight and the interior lights is really evil. No matter what I white balance on, I get a range of color balance. Maybe I'm just overly sensitive, but we are surrounded by evil, and it's name is "mediocrity". If my job is to record a scene, true to life, I try to get the white things to look white.
Thanks for the tips. I may look into a flourescent lighting setup; especially since I can put it together as time allows and use my current setup in the meantime. It's nice to have the luxury of dragging things out!